Directed by:
Peter BergCinematography:
Tobias A. SchliesslerComposer:
John PowellCast:
Will Smith, Charlize Theron, Jason Bateman, Jae Head, Daeg Faerch, Darrell Foster, Thomas Lennon, Eddie Marsan, Johnny Galecki, Martin Klebba, Mike Epps (more)VOD (2)
Plots(1)
When Hancock grudgingly agrees to an extreme makeover from idealistic publicist Ray Embrey (Jason Bateman), his life and reputation rise from the ashes and all seems right again - until he meets a woman (Charlize Theron) with similar powers to his and the key to his secret past. (Columbia/Sony)
Videos (4)
Reviews (9)
At the moment Peter Berg's fans have started to curse their idol for what he presents to them, I finally understand him for the first time. A classic and at the same time anti-comic spectacle, from which enthusiasm can be felt from miles away, Will Smith enjoys unlimited space and humor and action surpass my boldest expectations. The surprise of 2008 and my favorite Will Smith movie.
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Cool action scenes, great jokes, emotions, a strong love motif plus a cool Will Smith and a sexy blonde Charlize Theron in black boots... and unfortunately it all comes to nothing, like some sort of a mirage. Hancock is a potentially great and spectacular crossover of The Last Boy Scout and X-Men turned into the emptiest marketing bubble of 2008. Or a flashy pilot of a non-existent series.
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A somewhat shaky ride that doesn't really know what it wants to be, and Berg's obvious “I want to entertain the masses” direction bothered me a lot. Hancock is a classic flat blockbuster with Will Smith playing an atypical hero who initially emerges as a pleasant surprise, but eventually, due to a boring script, turns 180 degrees into the biggest flop under the sun. As a result the whole concept falls flat on its face and loses everything that was built in the beginning. It’s technically sophisticated, and impresses with wonderfully portrayed destruction of all possible buildings and means of transport, as well as very demanding composed shots that smoothly combe visual effects and reality. I must not forget the theme of love, which is unhealthily strong here and surprisingly sometimes rather detrimental.
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I gave Hancock four stars without any issues. After all, it has almost everything that a proper comic book film should have, and thanks to the fact that the script is "glued" together from two parts, not even David Copperfield can predict the plot! As for the ending, one of the last scenes, during which the top-notch “Death and Transfiguration" song plays, made my eyes pleasantly moist....
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Yes, the premise is very original and arouses great curiosity: a superhero with superhuman abilities and a penchant for alcohol and profanity played by the lovable Smith, this should be a hit! Unfortunately, however, the "hit" definitely didn't happen; it would have required a much better script and execution. It gave me rather the impression of generic fantasy that is quite entertaining to watch once, but I don’t think I’ll ever watch it again. Strangely enough, I didn't like the action, it was too crazy from the beginning, and the flying guy who tears off car roofs and makes holes in the road didn't look spectacular to me. Fortunately, in the "quieter" parts, the film takes on quite a pleasant atmosphere, some of the jokes were hilarious and the acting talents of the leads were on full display. Apart from Smith, the most noteworthy is the fiery Charlize Theron, who still looks incredibly pretty and has perhaps the most beautiful eyes in Hollywood. Otherwise, I don't understand the media hype around Hancock, because it doesn't really have anything new to offer, which is a big shortcoming given the premise.
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