Directed by:
Joe JohnstonCinematography:
Shelly JohnsonComposer:
Alan SilvestriCast:
Chris Evans, Hugo Weaving, Tommy Lee Jones, Hayley Atwell, Stanley Tucci, Sebastian Stan, Dominic Cooper, Neal McDonough, Toby Jones, Anatole Taubman (more)VOD (3)
Plots(1)
In 1942, Steve Rogers (Chris Evans) is deemed physically unfit to enlist in the U.S. Army and fight the Nazis in World War II. Volunteering instead for Project: Rebirth, a secret military operation, he is physically transformed into a super-soldier dubbed Captain America. With sidekick Bucky Barnes (Sebastian Stan), he fights the Red Skull (Hugo Weaving), Hitler's treacherous head of advanced weaponry, whose own plan for world domination involves a seemingly magical object known as the Tesseract. (official distributor synopsis)
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Reviews (15)
This is much better than the entire Avengers films combined. It’s got a great WWII atmosphere, a great cast - especially Tommy Lee - and even though it's all as transparent as that Americana costume, I have absolutely no problem with it. WW2 was also the only time you could realistically believe in superheroes. Long live the golden age of comics on the silver screen after the year 2000. And the catchphrases: "Arrogance may not be a uniquely American trait." or the one about the Viennese Sacher :D And it only gets better the more you watch it. I'm therefore shaking hands with Agent Carter.
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I think I'm going to hide in Asian cinema for a while after this crap. I don't know why America is trying to mix the impossible lately. Suddenly the cinemas are full of sci-fi westerns and war fantasy action flicks. I'm turned off by the red monster that disrupted the rather excellent retro atmosphere (kudos to Hayley Atwell's make up). The tiny and determined kid becomes a super-powered idol rolling out one badass line after another. But was the invincible and mostly cheesy shield really necessary? 2.5 stars.
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He was the last one to the table, but when things get worse, you can be sure he'll be standing in the front lines. Steve Rogers stayed somewhat on the sidelines throughout the Avengers journey, but in the end, to my great surprise, he ends up being the one who got under my skin the most. His loyalty, bravery, and naivety in the most positive sense, combined with his style of fighting, are simply unrivaled. When the dark Red Skull or the self-sufficient Agent Carter join the party, there is nothing left to do but applaud. Marvel won this war, and I gained a hero I had thus far only seen on T-shirts for almost a decade since his origin story.
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I’ve been a big fan of this project from the very start, so you can always take one star off, if you like, but just I can’t help myself. The Cap’n is exactly how I wanted him to be. Maybe it’s a little short, on the other hand it doesn’t lose any tempo anywhere. The intro with the puny young Steve is just great. Watching his futile attempts at joining the army and the training is even more entertaining that the elimination of Schmidt’s bases (the fantastic Hugo Weaving) thanks to the balanced doses of humor and selfless courage. Chris Evans did an excellent job with his portrayal of Rogers. Thanks to him, Captain America shakes off the image of parroting clown and turns into a convincing hero. But Peggy Hayley Atwell is equally important. Thanks to her, the romantic storyline is the strongest element of the movie. Neither the action, nor inventions, nor the demonic psychopath with the red face, but the sad ending dialog is what will get to you. I had a date. The lead-up to the Avengers is very obvious in this movie and it basically touches on all of the other worlds we have seen so far. Fundamental to this is the microworld of Thor and Iron Man, the Hulk is a side-effect from development of the serum. This excellent lead-up is topped off by the post-credits scene/trailer.
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It’s almost impossible to evaluate it objectively. It’s a film full of excellent lines, details, camera sweeps, several dialogue scenes, and a beautiful chemistry between the main characters. It’s slightly naive, and gradually turns into self-parody, but I couldn't help but feel a certain fragmentary and inconsistent mix of styles. Sometimes the it doesn't know what it wants to be, so it throws in everything just to be sure. A bit like combining Tomorrowland and Indiana Jones. I didn't enjoy the action and the visual effects were average, except for a few exceptions – I expected much more in this regard. Visually, the trailer was much more captivating, which is quite amusing in hindsight. But it's not all bad. Hayley Atwell is a first-class babe who will make a career out of this role, and the final scenes with the bomber are visually stunning - I haven't seen such mix colours in a long time.
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