Directed by:
Frank DarabontScreenplay:
Frank DarabontCinematography:
Rohn SchmidtComposer:
Mark IshamCast:
Thomas Jane, Marcia Gay Harden, Laurie Holden, Andre Braugher, Toby Jones, William Sadler, Jeffrey DeMunn, Frances Sternhagen, Nathan Gamble, Alexa Davalos (more)VOD (3)
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A horrifying short story by Stephen King becomes this engrossing chiller about the survivors of a strange, mutating mist that invades a small town and brings with it unspeakable monsters. (Showtime)
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Reviews (13)
The first reactions to Frank Darabont's new adaptation of Stephen King's literary source were enthusiastic and caused a great deal of anticipation among horror fans. Then followed somewhat mixed reactions, so I was curious about the result. The Mist is a typical example of a film where the creator balances between trying to shoot a psychological drama of a group of people surviving in extreme conditions and trying to please the mass audience and shoot a sci-fi horror in the style of Alien. Naturally, the few avid intellectuals will not be pleased with the presence of typical B-movie props such as giant mutated spiders or gigantic polyps, while a larger group of horror fans will miss some of the clichés they love, as well as greater plot dynamism and a lack of intense action. Many will rightly criticize The Mist for its somewhat outdated special effects, which can be done more professionally and with better results today. Despite all this, it is a significantly above-average genre movie that has a strong story with a very decent dramatic culmination and several strong scenes. However, I can't help but feel that more could have been extracted from this material, and the encounter with extraterrestrial life could have been much more imaginative. Why does the author think that the same forms of life live in the distant universe, only significantly larger than here? Overall impression: 85%.
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I like that Stephen King's unpredictability and uncompromising nature can be felt every second in the story, that the common (outdoor) enemy is sufficiently straightforward and "evil", and that it is clear from the beginning that no nonsense can emerge from the events outside. But what knocked the breath right out of me in the worst way was that in the crucial passages the story always relies on the aggressively religious motive of punishment for sins. Instead of carefully measured fear, Frank Darabont tries to crawl under your skin with mass psychoses and hits a wall. If such a gallery of bloodthirsty monsters is lurking outside, I really have no desire to listen to a threatening fanatic. Moreover, the whole film is somewhat undermined by an ending in the style of brutal finishes that change the original tone. Despair thus clashes with an unexpected twist, and the desperate mood is tainted by a sense of futility.
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This adaptation is faithful to the original and yet it will take your breath away at the end. Darabont has a knack for storytelling, and the actors under his leadership give the performances of their lifetimes. Plus, Thomas Jane is suited to the role of David like no-one else. The special effects are amazing (mainly the fog, because they leave room for the imagination), in the style of Faun's Labyrinth and Hellboy. In the end, you can say what Stephen King said at the press conference: "Whoever gives it away should hang by the balls in a draft." It’ll take your breath away.
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I wouldn't compare Darabont's film to a cheap horror flick, or, heaven forbid, measure it through the lens of 1950s monster movies. I think The Mist works equally well as gritty horror, and as a kind of psychological drama where rationality vs. bigotry clashes within a small circle of people. Anyway, even the rather ridiculous tentacles at the beginning didn't spoil my overall very good impression. Scary, at times decently suspenseful and with a very powerful twist at the end. And Thomas Jane finally gave a believable performance (Punisher is forgiven). I wonder what the leaders (if they saw it) of the increasingly growing creationist movement in the United States, where their pseudo-scientific doctrine is already on school curricula and whose luminaries use much the same rhetoric as the deranged, had to say about the figure of the religious fanatic Mrs. Carmody. If Darabont wanted to symbolically smack them with it, I won't hesitate to give it the maximum rating :) I'm tempted to compare it with King's novel.
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For Darabont, the notion of horror is something completely out of place, given that he can't even handle the most basic genre practices. He borrows from Carpenter here, and Cameron there, only to drape the whole thing with dialogue straight out of a dumb 1960s sci-fi movie. For two hours, the plot spins in a merry-go-round, with maybe a spindle of religious fanaticism pushing the viewer's emotions. Otherwise, except for the very end, it’s an absolutely cold, terribly long, and unintentionally stupid B-movie, which apparently got rave reviews just for the impressive ending.
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Gallery (79)
Photo © Darkwoods Productions
![The Mist - Photos](http://image.pmgstatic.com/cache/resized/w663/files/images/film/photos/159/844/159844007_1cfba3.png)
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