Directed by:
John MooreScreenplay:
Beau ThorneCinematography:
Jonathan SelaCast:
Mark Wahlberg, Mila Kunis, Beau Bridges, Ludacris, Donal Logue, Chris O'Donnell, Ted Atherton, Amaury Nolasco, Kate Burton, Nelly Furtado, Conrad Pla (more)VOD (1)
Plots(1)
Rockstar Games' double-gunned action franchise comes to the big screen thanks to director John Moore and Mark Wahlberg, who embodies the title character of Max Payne, a widowed cop hell-bent on delivering justice no matter what the cost as he investigates a string of killings in his city. (official distributor synopsis)
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Reviews (8)
Snowflakes, snowflakes, snowflakes.....Mark's furrowed brow, digital boogeymen.....and snowflakes again.....Well, I'm certainly not going to bemoan the fact that the movie version of Max Payne doesn't resemble the game (I've played both games), because they're two different worlds with different expressive language, and watching Payne mow down his opponents in slow motion from start to finish wouldn't be very entertaining either. Unfortunately, Moore's film is so narratively out of place, failing utterly to draw you into the plot, and the script was written using the tried and true crutch of "you can't think of anything you want to talk about, so throw a secret government project in there and wrap it in wadding, it'll work somehow," to the point where I felt sorry for Mark Wahlberg. I quite like him, but with his eternal boyish mug, he's absolutely wrong for the role of Max Payne, he lacks the necessary manly charisma and it doesn't help to frown and grit your teeth forever, Mark. So, what’s left? Not a fish, not a crayfish, not a dark bloody noir, not an action flick, just such a forgettable fart into the world of game film adaptations.
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First of all, this isn't the “Max Payne" as we know it, it's an average crime B-movie with a big budget for the scenes with the Valkyrie which aren’t even in the game! If I had to judge by what kind of movie it could have been, I'd have to trash it, but I tried to be unbiased, and this deserve those two stars. There are a few solidly filmed scenes (which you could count on the fingers of one hand) and the stylization, which goes completely outside the original noir atmosphere, is quite interesting. Wahlberg not only didn't fit into the role of Max but he seemed strangely fat throughout the movie (but ok, he was normal again in the post-credits scene) and his acting was uneven at best. This movie is just one big disappointment, and I can only hope that in a few years, when everyone forgets about this mess, someone with respect for the original game will make a reboot.
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I liked it. The game Max Payne is one of the few things I've actually played to the end, and the movie doesn't do it any shame. I was a little worried about Wahlberg in the lead role, but unnecessarily so. Then I thought to myself that the atmosphere couldn't have been as I remembered - it wasn't, but it was as close to it as it could be. I was expecting more shootouts, but there's nothing I can do about that... I can be glad that the filmmakers at least weren't afraid to show blood (i.e., when someone shoots someone, they don't get dusty, but instead a spectacular red cloud comes out of them) and that the screenwriter got a good idea with the Valkyries, which didn't hurt the atmosphere either. In addition, there are pretty women (although Kurylenko's bark could have been played by anyone else), quite good music and direction, which is not bad at all during the action and outside it. Three and a half.
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I love his desire for revenge, his weapons, his allies, and his enemies, and I love boundlessly every piece of this snowy New York, where behind every door hides a group of killers, much-needed painkillers, or a new set of bullets. But all of that disappears in the adaptation and a new Max comes along. This time as well, he is not afraid to draw a weapon, but only as a last resort. And that's why I am delighted by B.B., Aesir, Roscoe Street Station, and Alex, but at the moment when, full of joy from the action that finally arrived in full splendor, I then realized that the journey to the roof is a cleansing path to the conclusion, disappointment inevitably arrived as well. I do not blame John Moore for being late with the action, and I do not accusing Beau Thorne of taking the script in a completely different direction. I'm just disappointed because I wanted to see much more from this beloved video game than just the backdrop.
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Visually impressive, but everything else was dumped... Wahlberg is bland, Nelly Furtado doesn't impress either, only Ludacris shines a bit.) The pictures of the snow-covered city are nice to look at sometimes, but that's really the only major plus... Otherwise, in terms of direction and script, it's a bland piece of crap with a chaotic plot and unconvincing performances, if you can even call them that.
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