Directed by:
Shane AckerScreenplay:
Pamela PettlerComposer:
Deborah LurieCast:
Elijah Wood, John C. Reilly, Jennifer Connelly, Christopher Plummer, Martin Landau, Crispin Glover, Fred Tatasciore, Tom Kane, Alan OppenheimerVOD (5)
Plots(1)
In the final days of humanity, a dedicated scientist gives the spark of life to nine of his creations. The world has turned into an unrecognizable landscape of machines and spare parts, but this group of nine finds that if they band together, their small community might just be able to change the course of history. (official distributor synopsis)
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Reviews (9)
Despite the perfect atmosphere, beautiful art aspects and great action, 9 is only about halfway there. Mainly due to a stereotypically constructed story, which also relies on a rather agitating and moralizing tone. One could deal with that if at least the handling had not been so wanting, and dramaturgy was also not done well. Even the characters are shallow and forgettable sketches voiced by stars. It's a bit of an issue when the screenwriter writes a weak Christian fairytale and the director tells the story as a raw apocalyptic horror. However, it is worth seeing for the bizarre world on the edge of World War I and cyberpunk... Especially if you like Bioshock or Fallout. :o) [70%]
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Animated films are usually imagined as those movies that you go to with children because there are a lot of colors, some cute creatures that kids will love, well, and if it's not Pixar, usually a proper story is missing - although it's not a completely true rule. What is the domain of the movie "9" is animation and generally the visual aspect. This animated film is dark, dark in its atmosphere and environment in which it takes place. Let's face it, the story is not completely childish either. Shane Acker came up with a short film called "9" in 2005, which was successful, so Tim Burton, Timur Bekmambetov, and other producers decided to support a feature-length version. This is exactly the kind of movie that could be in the spirit of Tim Burton's style, but it's missing something. Primarily a proper screenplay. In the final form, it's nothing more than a film with a dark side that gradually eliminates a limited number of representatives of good. A little inspiration from kung fu movies, a little effort for cute moments. It's a shame, unfortunately, because this film had the potential for so much more. The presented world is truly dark and unpleasant. It could have almost been a horror film, but it fell short so that the film could be accessible to children. And yet, the film has a PG-13 rating, which means it's not suitable for children. More: http://www.filmovy-denik.cz/2012/05/9-umelec-diktator-nacho-libre-rise.html
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A truly great and pleasant surprise in the form of a seventy-minute unpretentious animated film, produced by the master Tim Burton, whose influence on the shape of the film is evident at first glance (in my opinion). The original and yet so common theme of war, which was transferred to the animated world - I appreciate more and more those animated films that are not afraid to show their dark side (here war and killing machines). The animation is simple, nothing contrived or offensive in any way. Danny Elfman's music is unmistakable and the creators certainly didn't go wrong with their choice of composer. Perhaps the only chink in an otherwise perfect whole is the script, though I wouldn't even bring it up in a film of this type. All in all, I am very pleased and intoxicated by the experience and therefore give it a lovely 4*.
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The beginning held my attention... for about ten minutes. Then came – apologies to anyone who might be bothered or offended, but I really can't call it anything else – blatant American kitsch. And it didn't hold my attention, or even seem to deserve it. Maybe Shane Acker should have stuck with his 11-minute short from 2005, because he didn't give the world anything new by multiplying the time of the short by seven. Yes, the grim depiction of a post-apocalyptic world was very successful, perhaps I could call it the animated face of Orwell's 1984, but that's just a maybe and a happy accident. Someone wrote here about the gripping action, which I certainly didn't find gripping, rather it made me worry about whether I needed to paint my nails, which I also managed to do, and that just doesn't happen with good fantasy... It would have been a good movie if it could have held my attention. And it doesn’t help that it had been one of my most anticipated films of 2009.
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Once I had got comfortable in my seat (seat no. 8, and I ceremoniously sat my backpack on seat no. 9) I was swallowed up by the perfect atmosphere balancing between cyberpunk and the second world war. The war got to me already in that ten minute piece. A gang of numbered figures, each of who is something special (junky no. 8, bossy no. one, etc...), are fighting against machines of genius erm... Machines that have awakened after years of sleep. The atmosphere is (I know I’m repeating myself) perfect, the action full-on + there’s lots of it and the characters are nice. But there is something wrong too. Acker’s vision and theme require a more developed story. Pamela Pettler’s screenplay is literally shoddy and full of plot holes. Everything is explained somehow too briefly and the heroes keep on walking backward and forward staying in the same place. While there’s a whole empty world waiting to be explored.
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Gallery (85)
Photo © Universal Pictures
![9 - Photos](http://image.pmgstatic.com/cache/resized/w663/files/images/film/photos/160/137/160137474_a963b3.jpg)
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