Directed by:
James CameronScreenplay:
James CameronCinematography:
Mauro FioreComposer:
James HornerCast:
Sam Worthington, Zoe Saldana, Stephen Lang, Michelle Rodriguez, Giovanni Ribisi, Joel David Moore, CCH Pounder, Wes Studi, Laz Alonso, Sigourney Weaver (more)VOD (5)
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Set in the year 2154, Cameron's sci-fi epic chronicles the U.S. military effort to mine an extremely valuable mineral from a tiny distant world called Pandora whose natives are a race of blue creatures known as the Na'vi. Sam Worthington stars as wheelchair-bound former Marine Jake Sully who becomes an Avatar to Pandora. Taken in by a feisty female Na'vi (Zoe Saldana) and taught the customs of this new world, Jake soon falls in love with both - and finds himself at the center of a battle for control of Pandora. (Home Box Office)
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In terms of film-craft this is the most precise work that can be achieved under current conditions, but above-average film-craft defining new standards alone doesn’t necessarily make a good movie. Luckily, Avatar is good, but unfortunately no more than just good. It’s like despite all the attention that Cameron devotes to polishing everything down to the last, tiny detail, he forgot about the movie as a whole. Who cares that it suffers from all imaginable maladies of “blockbusters", if only Cameron had managed to enthrall us, draw us in, simply forget that this is still just a movie (it only happened to me in one scene). And the saddest thing about this is that, despite the message, in the end it will be Cameron who causes mass deforestation on out planet due to the mountains of wood needed to produce the paper on which the millions of movie theater tickets sold around the whole world will be printed, and this thought chills me more than any of the best scenes in Avatar. And all of the above applies to the extended version which didn’t concentrate primarily on emotions and characters, but again on technical brilliance. P.S.: This review was written after seeing the regular version; my subsequent visit to see the IMAX version neither improved or impaired my impression of the movie (and why should it, it’s the same movie, isn’t it?), but it did enhance the brilliant effects. ♫ OST score: 3/5
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Very, very intoxicating. What surprised me the most was that not only the eyes and ears experience an orgasmic throw. Personally, I felt emotion over the love affair between an earthling and a blue huntress, which I did not feel in the slightest when watching Titanic. Avatar is not just dazzling... it is alive. The film may have too much of the classic narrative schemes, but it doesn't matter, because the mind walks the familiar path and sight and hearing fly in the unimagined. There are probably many people who will point out things like activism, or that it is cold. I didn't see any of that in Avatar. Instead, what I saw was very light and brilliantly crafted telling of a romantic fairy tale about beings bound to their planet. Together with Star Trek, this year's clear winner in the heaviest weight category. [85%] P.S. I just can’t keep my mouth shut... I have a question:"A strange mixture of Moore's environmentalism, Zeman's poetics and Vinnetou's naivety "cut" with the aesthetics of The Lord of the Rings - does that mean Miloš Zeman, who embraces trees?" I probably haven’t seen as much from Karel as I had hoped.
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The first time my eyes saw the effects, they stayed still and gaped. Yes, artistically, the film may well be above reproach. A feast for the eyes. The effects simply must win an Oscar, I can't see it any other way. But after a while I got used to them, and they didn't dazzle me so much. For a film that runs 162 minutes, it has an incredibly weak plot. I'm truly sorry, but the effects just didn't hold my attention the whole time, after a while I started fidgeting, looking around at others, taking off and putting on 3D glasses, taking off, putting on a sweatshirt – I was bored. For me, there were just empty spaces. And don't let anyone try to tell me that through all the fabulous, nature-celebrating effects and digital advancements, Cameron can't offer a better story. He can – see, for example, Terminator. Plus, there were those awful pathetic "as if to the American people who are rising up, shouting, cheering, crying for glory, and rushing into battle to be slaughtered" speeches again – and I'm allergic to those, I just cringe. But one big plus for me is that he let the Pandorians have their own language, that he didn't force them all into English. I don't know, perfect effects aren't reason enough for me to give a better rating when I was bored and wishing they'd finally kill each other and live happily ever after. Ciaossu. Very, very interesting commentary: IMPAIRED (agree with almost all of it :-))
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Avatar is, in a way, like a visit to an amusement park full of tempting experiences that fully engage all the senses. It is a magnificent blockbuster, full of breathtaking action and ostentatiously elaborate visuals. It is a film on the very edge of today's technological possibilities and it shows. Undeniably, it will become the film event of the year and will be included in film history alongside other pop culture legends. It can be talked about in many ways. Firstly, it is an attempt to stop the decline of the traditional film industry, replaced by cheap video production and the internet, and to bring audiences back to movie theaters. Even for the most hardened pirates, who consider data theft a matter of personal honor and get a fit of indignation at the thought of paying for a ticket, downloading Avatar will be a waste of time similar to a desperate attempt to deflower a virgin protected by an iron belt of modesty. Avatar is a spectacle that requires the highest possible quality medium, preferably a large 3D screen with the best sound. Cameron managed to use the 3D format not for cheap effects, but to deepen the image and create true plasticity of the world depicted. In understanding its possibilities and in terms of experience with this format, he is the furthest ahead of everyone and clearly set the direction in which high-budget studio mainstream production will go in the following years. As for the rest, there is no revolution happening. The story is simple, and I am not the first person to notice its similarity to Pocahontas. I don't care that the story is not original; many famous directors in the past made a name for themselves by plundering the titles of their less successful colleagues, and many film fans would be shocked to learn that their favorite films have prototypes in completely unknown films from the past. What's worse for me is that Avatar can be considered a perfectly conventional film, which precisely caters to all audience expectations and naively distorted ideas about a noble, untouched "wild" civilization living in touching harmony with nature. It is a combination of the perspective of an urban environmentalist crossed with Karl May. Cameron does not burden his viewers' brains with anything, and that is understandable. Allegedly, his project cost (not to mention distribution expenses) around four hundred million dollars, and nothing must spoil the expectations of the producers. To criticize Avatar for its calculatedness and lack of creative courage is the same as being indignant that water is wet and fire burns. Both are true and there is nothing you can do about it. I have a problem with exactly what will fascinate many people - the beautifully colored visuals full of sharp contrasts that bring Avatar close to the commercial productions of Walt Disney. It is appealing, fairytale-like, and overly fantastic, exactly what you dreamed of as children. But that is precisely what old Walt always irritated me with. In Cameron's directing style, the characters are flat and fully subordinate to a simple plot line. Overall impression: 55%.
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Avatar is an ultra-mainstream adventure movie for the whole family. In a filmmaking package so perfect it could give you an orgasm, James Cameron self-confidently delivers a super-hackneyed story that won’t surprise you with anything. Apart from his comedies (True Lies), Cameron’s films always contain a hint of existential food for thought alongside all that technical brilliance. But only a hint. They have ideas on which other filmmakers built their movie worlds. Avatar, however, does not contain anything of the sort, and its message begins and ends with a bit of simple ecological agit-prop. It is Cameron’s first film composed solely of things we have seen elsewhere (whether in his films or somewhere else), which he merely delivers in an even more elaborate and beautiful wrapper. Every shot, every cut, every tone of James Horner’s soundtrack contributes to the absolute perfection of the final product. But what good does it do when we always know what happens ten minutes in advance?
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Photo © Twentieth Century-Fox Film Corporation
![Avatar - Photos](http://image.pmgstatic.com/cache/resized/w663/files/images/film/photos/166/587/166587018_02f367.jpg)
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