Directed by:
Frank DarabontScreenplay:
Frank DarabontCinematography:
David TattersallComposer:
Thomas NewmanCast:
Tom Hanks, David Morse, Bonnie Hunt, Michael Clarke Duncan, James Cromwell, Michael Jeter, Graham Greene, Doug Hutchison, Sam Rockwell, Barry Pepper (more)VOD (3)
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The story focuses on Paul Edgecomb (Tom Hanks), a Louisiana security guard who works on death row during the Great Depression. When John Coffey (Michael Clarke Duncan), a gigantic black man convicted of raping and murdering two white girls, joins the other prisoners on the row, Paul's life is forever altered. Coffey doesn't fit the mold of a psychopathic killer; he's kind, gentle, and afraid of the dark. As the story progresses, Edgecomb learns that there is something more than simple goodness to Coffey. (official distributor synopsis)
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How The Green Mile could have eluded me for so long is truly beyond me. Frank Darabont is indeed a master of prison films. He always directs in such an engaging way that the result deeply captivates the viewer, and it’s almost impossible to find any flaw in it. Compared to The Shawshank Redemption, this film hit me more emotionally, as the story is an incredibly strong dose of intense moments that affect you like few other films. Tom Hanks confirmed his place in the acting elite, and the supporting cast also shone, especially Sam Rockwell, who thoroughly enjoyed his role as a wonderfully slimy bastard. And of course, Michael Clarke Duncan... whenever he was at the center of the action on screen and started a dialogue with Hanks, those were the moments that made this film so successful with audiences. Darabont knows how to skillfully work with characters and their dialogues, making the script one of the most elaborate aspects of The Green Mile. I suppose it’s time to consider reading the King novel, as I believe such a well-crafted film must have been based on a similarly high-quality source material. I give it 93%.
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Michael Mann has "Time is luck," Tom Hanks has "Earn it." Within the span of two years, Hanks starred in two similarly phenomenal films where the setting plays second fiddle, because the main role was a well-lived life. However, while in Saving Private Ryan he plays the rescuer, in The Green Mile he is the one being rescued. Frank Darabont has a masterful ability to work with emotions, doing so in a simple and understandable way (with music, editing and directing actors), yet it is not simplistic or overly sentimental with a carpet bombing approach towards the viewers. The film is full of nuances and grand gestures, from which everyone can take what they personally prefer.
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I consider The Green Mile one of the most beautiful dramas I've ever seen. It is guaranteed to make me cry and thrill me every time. The prison theme is really thin ice, it's just that Frank Darabont knows it like nobody else and prefers quality over quantity. The cast is also impeccable! A wonderful film that everyone must see.
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The Green Mile made an even stronger impression on me (forgive the conventional comparison) than Shawshank when I first watched it. Gradually, though, the roles have reversed significantly, and it emerges that the former title represents filmmaking conducted on a much simpler narrative basis, which at times applies pure emotional cynicism far more forcefully and ostentatiously than the more subtly constructed and poetic Shawshank. Yet words are inadequate to describe how much I admire and love this film, its "absorbing" narrative concept, the performances, its dramatic timing and its ideas. Darabont again leads the attention in a minimalist way, enclosing his actors for three hours in a fictional world where, despite the strict rules and the depressing aura of inevitable death, he defines a precise space for conflict, hatred and fear, but also hope, friendship and humour, and by constantly changing moods depending on the presence of a particular character and gradually tightening the screws on the reveal of the main mystery, the director establishes one of the most complex emotional experiences in the history of cinema. If you want to experience films and draw inspiration from them, The Green Mile will suck you in, move you to tears and show you that even in the least joyful places, where the minutes drag on and life seemingly has no meaning, it pays to be a good person. Miracles really do happen, not only John Coffey but Frank Darabont in particular is proof of that; )
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Book/movie, I can confirm today, it doesn't matter. The story of The Green Mile belongs on the pedestal of the best ever written. What adds up to an extra marathon of over 3 hours is an immensely strong line-up of great supporting characters, among whom even star power Tom Hanks remains slightly overshadowed. Another bonus is the brilliant musical score by Thomas Newman and the slightly altered tone compared to King’s novel, which pushes the envelope a bit more in some moments and turns it almost into a fairytale as a result. Very dark and adult, but still universal enough to be fully experienced by a nine-year-old boy whose parents let him watch it past midnight for the first time in his life.
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