Directed by:
David YatesScreenplay:
Steve KlovesCinematography:
Eduardo SerraComposer:
Alexandre DesplatCast:
Daniel Radcliffe, Emma Watson, Rupert Grint, Ralph Fiennes, Helena Bonham Carter, Alan Rickman, Carolyn Pickles, Jason Isaacs, Bill Nighy, Bonnie Wright (more)VOD (4)
Plots(1)
Harry Potter and the Deathly Hallows, the seventh and final adventure in the Harry Potter film series, is a much-anticipated motion picture event to be told in two full-length parts. Part 1 begins as Harry, Ron and Hermione set out on their perilous mission to track down and destroy the secret to Voldemort’s immortality and destruction - the Horcruxes. On their own, without the guidance of their professors or the protection of Professor Dumbledore, the three friends must now rely on one another more than ever. But there are Dark Forces in their midst that threaten to tear them apart. Meanwhile, the wizarding world has become a dangerous place for all enemies of the Dark Lord. The long-feared war has begun and Voldemort’s Death Eaters seize control of the Ministry of Magic and even Hogwarts, terrorizing and arresting anyone who might oppose them. But the one prize they still seek is the one most valuable to Voldemort: Harry Potter. The Chosen One has become the hunted one as the Death Eaters search for Harry with orders to bring him to Voldemort... alive. Harry’s only hope is to find the Horcruxes before Voldemort finds him. But as he searches for clues, he uncovers an old and almost forgotten tale - the legend of the Deathly Hallows. And if the legend turns out to be true, it could give Voldemort the ultimate power he seeks. Little does Harry know that his future has already been decided by his past when, on that fateful day, he became “the Boy Who Lived.” No longer just a boy, Harry Potter is drawing ever closer to the task for which he has been preparing since the day he first stepped into Hogwarts: the ultimate battle with Voldemort. (official distributor synopsis)
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Reviews (15)
Watching teenagers run around in the woods for 140 minutes is borderline torture. David Yates rips off Nolan's Batman themes at every turn, but doesn't understand that that alone doesn’t make a good movie. Because when the actors don't have anything to work with, and there is not a single memorable scene that will make it worthwhile, the result is more than trivial. An unfinished, poorly made film with no drama, where they drown in lavish camera panoramas and robust music, forgetting everything else that made the Harry Potter franchise a success.
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I am not going to complain about this movie, but I have to point out that I am so exhausted from the whole series that I would gladly accept Voldemort's victory. I have previously mentioned that, from my point of view, the movie series should have had only four parts, as this fully demonstrates a lot of filler from the books. Additionally, since the producers decided to divide the last book into two movie parts for higher profits, this flaw is even more evident in this case. Logically, the film does not escalate as it should and thus lags from a dramatic perspective. On the other hand, it once again scores points with the big budget and the care of the film studio, so Harry Potter fans will not be disappointed. Overall impression: 50%.
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I saw the first four Harry Potter films and stopped there, as I’m not a fan of the series. I went to see Deathly Hollows: Part I only because of its attractive billboards. And I was bored to death. The beginning of the series introduced us to the characters and the story’s lovely environment and, in the case of Alfonso Cuarón’s contribution to the series, brought us a unique, wonderfully dark film adventure that showed a lot of inventiveness on the director’s part. The films had their own stories and always took the audience somewhere. In comparison to them, Deathly Hollows: Part I is only a protracted masturbatory porridge, slavishly and without any creative input following the original book, the qualities of which I don’t know, but if they’re anything like this film, I’ll gladly pass.
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Now I’ve reached the age where I have read all of the Potter books, but it’s so long ago now, that I can’t remember anything more than the main plot and how they ended. Yates understands (but the studio doesn’t yet) that most of the fans have aged considerably (personally I first got to know Harry and his friends in the ninth grade and a whole lot of water has flown under the bridge since then) and, starting with part five, has begun slowly but surely to shift from slightly rugged fairytale into a dark fantasy which suits us, over-aged kids, better now. Part seven also has the advantage that it radically differs from its younger brothers in its most fundamental aspect. We are no longer shut in at Hogwarts, but we are beginning to move around, far and wide around the entire, well... British Isles. The visuals in the first half of Deathly Hollows are entrancing (the sea) and yes, I also mean the ingeniously handled insert about the three brothers. Desplat’s music is probably the best possible substitute for Williams’ awesome soundtracks. The cast give their very best performances (after all these years, they have their characters nailed) and because the story has been divided into two, they have a lot of room to strut their stuff. They are clearly saving Snape for the finale and Voldemort is at last truly demonic. It was interesting that although it was a little slow-moving, I wasn’t bored for a minute. In fact this made me want to see the last half and maybe read the books again. Sometime. So, our last meeting is in six month’s time, Mr. Potter.
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The first half of the great Potter finale is unexpectedly quiet and conversational, but it certainly doesn't hurt, because it is without exception superbly acted. The establishing part, which makes you realize how far not only the characters, but also their representatives have come since 2001, is probably the best of all. The tension is almost palpable for the whole 140 minutes, the gloomy atmosphere as well, but the screenwriter and director still know when they can afford something to lighten things up and the viewer doesn't get bored. The action start was top notch, while the ending with Bellatrix and Dobby is one of the most impressive moments of the whole series. And Alexandre Desplat got to compose the music, which was a safe bet.
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