Directed by:
Peter JacksonCinematography:
Andrew LesnieComposer:
Brian EnoCast:
Mark Wahlberg, Rachel Weisz, Saoirse Ronan, Stanley Tucci, Susan Sarandon, Rose McIver, Michael Imperioli, Christian Ashdale, Reece Ritchie, Carolyn Dando (more)VOD (4)
Plots(1)
The haunting aftermath of a crime and the stirring restoration of a family unfold from the unexpected vantage point of the beyond in The Lovely Bones – the story of a life and everything that came after. Based on the beloved, best-selling novel by Alice Sebold, the film centers on Susie Salmon, who was just 14 years-old when she was murdered in December 1973 on her way home from school. Following her death she continues to watch over her earthbound family – while her killer remains at large. Trapped in a wondrous, yet mysterious hereafter, Susie finds she must choose between her desire for vengeance and her yearning to see her loved ones heal and move on. What begins as a shocking homicide unravels into a suspenseful and visually inventive journey through the bonds of memory, love and hope – towards a surprising and emotional reckoning. (official distributor synopsis)
(more)Videos (2)
Reviews (13)
Unfortunately, exactly the type of film in which I feel as if someone had let me read “The Watchtower" all night, necrophilic romance edition. The script of the Holy Trinity of J-W-B is a salad made up of pathetic monologues and shabby dialogues without a single hint of lightness. PJ directs some passages typically (jumps to non-event details, expressive subjective perspective, involvement of a monotonous soundtrack), while sometimes there are even fairly solid scenes (searching Pederast's barracks - although logically meaningless, he nevertheless works masterfully with tension and dual perspective). The fragmentation of the narrative perspective is so unconceptual that it prevented me from taking anything in the film seriously and, most importantly, enjoying anything. The visual stylization is quite cheap in places; in fact, it might be worth considering whether the secret of impressiveness lies only in color filters, glowing halogens and "nice objects". Particularly the trick passages are way over done, disgusting, inconsistent, flashy, without any order (even if they had only a subtle hint of the association that would give them shape). The CGI screams sexlessness, such an excessive and at the same time absolutely "backdrop" artistic solution is not seen very often. The involvement of the music is utterly catastrophic - instead of amplifying any emotion, it makes The Lovely Bones into whining emo, from which only stupid sentiment sticks out. I understand that Peter is fascinated by "being between worlds" and that not all family films can be as brilliant as Braindead... and yet the template of a pedophile killer based on Rapist Glasses? In fact, this is low end and Jackson's worst film, and it is a testament to the gradual loss of judgement and self-criticism.
()
A genre mishmash, emotional turmoil, perfect actors, and most importantly, an unexpected spectacle. Peter Jackson has created an entirely intimate story where even the most magnificent special effects shot remains a personal desire. Plot-wise, it may suffice with the simplest premise, but the tension, tears, and magnificent camera did not even let me properly think about it. A complex and evolving experience.
()
Can this movie really get under someone’s skin and make them rave about it? Peter Jackson is once again great in terms of details; for example, the depiction of a chilling clash of the purest childhood innocence with the most terrible human evil (murder) is unique in its credibility. But the multi-level collage that follows the promising start of the film, and especially the final outcome of the individual plot lines, raises a single key question: “What the hell did the filmmaker want to say with this confused film?” Clarify the meaning of specific scenes and characters would actually require a dozen such questions, but I do not want to spoil this for anyone. So I ask only one harmless question: What is the meaning of Susan Sarandon’s comic character for the dramaturgical concept of this film? Or is she in the film only because the director is a fan of hers? The problem with The Lovely Bones doesn’t lie in its fantasy images (those are beautiful when they stand alone), but in its completely dysfunctional narrative vision.
()
Too long, very uninteresting in places, full of images that might have looked better in a photograph. At times it felt like two or three films mixed together. The only thing that worked for me in this film was the music, it was perfectly able to complement the images the film wanted to show me. The pictures could be pretty, but they don't work as a 135-minute film. It can be moving, but so can any movie where someone's daughter is murdered, where the deceased talks about their departure, that final one. Maybe I was expecting too much, something more different, something more suspenseful, something with a better story; this one didn't move along very well, plus the ending didn't add much (was the filmmaker just trying to say "The mills of the gods grind slowly"?). A better 2 stars.
()
The cast, with my favourites Susan Sarandon and Rachel Weisz under the direction of one of the best directors of our time, and an original theme with a strong story to boot. I just had to see it! And I'm glad I did! After the Lord of the Rings trilogy, Peter Jackson is still on a roll and The Lovely Bones really kept my eyes glued to the screen. I've known since Titanic that even if you know too much about the plot, you can still be captivated by the film. And it happened! Stanley Tucci is as sleazy and convincing a pedophile as Jackie Jackie Earle Haley in Little Children. Susan Sarandon delighted me as the energetic and distracted grandmother, and Rachel Weisz's performance did too. And Saoirse Ronan is one of the most talented child stars for me after this film. Jackson blends dark thriller and family drama with imaginative fantasy to great effect, and the result is a unique film of high quality. As far as the technical execution is concerned, they have done it perfectly – a complete audiovisual orgy. In short, a real cinematic experience that got me both with its story and its execution.
()
Ads