Directed by:
Edgar WrightCinematography:
Bill PopeComposer:
Nigel GodrichCast:
Michael Cera, Mary Elizabeth Winstead, Kieran Culkin, Chris Evans, Ellen Wong, Anna Kendrick, Brandon Routh, Alison Pill, Jason Schwartzman, Johnny Simmons (more)VOD (5)
Plots(1)
Scott Pilgrim (Michael Cera) has never had a problem getting a girlfriend. It's getting rid of them that proves difficult. From the girl who kicked his heart's ass - and now is back in town - to the teenage distraction he's trying to shake when Ramona (Mary Elizabeth Winstead) rollerblades into his world, love hasn't been easy. He soon discovers, however, his new crush has the most unusual baggage of all: a nefarious league of exes controls her love life and will do whatever it takes to eliminate him as a suitor. As Scott gets closer to Ramona, he must face an increasingly vicious rogues' gallery from her past - from infamous skateboarders to vegan rock stars and fearsome identical twins. And if he hopes to win his true love, he must vanquish them all before it really is game over. (Universal Pictures US)
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Reviews (13)
With this film, it really depends on whether you are willing to accept the rules that apply in Scott Pilgrim's world, where funny words fly through the air or spectacular battles between rivals in love take place. Personally, I failed to submit to these wacky rules, which is why this film felt a little too over-the-top and absurd at times. That it is a very original mix of ideas and sequence of images, there is no doubt. But it just didn't entertain me as much as it should or could have. In short, a wild shower of colour, nice scenes and effects, but all wrapped up in a rather strange story that unfortunately didn't engage me.
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So many corpses and not a drop of blood... I hate Michael Cera, his dumb mug and moronic one-liners bother me, so I had a major problem with Scott Pilgrim. On the other hand, there's Edgar Wright, a playful visual magician who turned this unbelievable nonsense into a special effects orgy full of memories of youthful gaming days. And the action scenes are top notch.
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I loved the concept from the start. Combined with Wright's semi-crazy (but really delightful) directorial trademark, a likable and witty script, actors tailor-made (in my opinion) for the target audience, its overall detachment, and its abundance of pop culture references, Scott Pilgrim works perfectly. I really like films made with energy and inventiveness and, if they doesn't overstay their welcome and maintain some reasonable level of taste, they usually "gets away" with a full rating – because the entire running time in such a case passes incredibly quickly, entertains royally, and leaves me wanting to watch it again sooner or later. In short, it's a purely professional work and it's obvious that the creators have the area they set off on very well mastered and studied. That it doesn't feel forced for a moment as a result is just another plus and I really can't help but give it 5 stars.
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Unfortunately, it just made me more and more bored... I once tried to read “Scott Pilgrim," but the book seemed pretty useless to me and intended for people about a hundred years younger than me, and I must say that the adaptation is very much faithful in this regard. There are plenty of ideas here, though, because Edgar Wright is a toyer, but the plot didn't interest me at all from about halfway and I felt like the avalanches of all sorts of cool things primarily numbed and suffocated me.
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If someone has watched, read, listened, and recorded plenty of things, and they can also film in such a way that it is perfectly entertaining, then we’ve got nothing to worry about. During the screening, I wanted to chant and cheer loudly, and after it was over, I wanted to go back to the box office and do it all over again. This sort of "style geyser" cannot be absorbed the first time around. This is the second film this year where inventive British filmmaking has made an incredible splash for Hollywood money.
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