The Amazing Spider-Man

I hoped that after the new Batman episodes and the reboot of the series, whose old episodes are basically forgotten or, at best, set aside, filmmakers had finally understood how to adapt comics. Unfortunately, they did not. While Spiderman could have similar attributes to the torn hero Bruce Wayne, there is a difference. Unlike the millionaire, we have a simple guy who has his own problems with identifying with his alter ego. But there is a complete lack of fatefulness and the further you go into the film, the more you can feel the flaws from previous episodes: sentimentality, righteousness, last-minute help, the transformation from a bad boy to a good boy, a caring aunt and a proper uncle – by the way, Martin Sheen is excellent. Ladies and gentlemen, it's boring. The action is decent, the first-person shots are innovative (otherwise, the technical aspect is hardly distinguishable from the older films), but there is no deeper meaning, no thrilling scenes. The film works best (intentionally?) as a story of two teenagers getting to know each other – the chemistry between Andrew Garfield and Emma Stone is captivating. I expected more, but the only reboot is maybe only from a commercial perspective. (07/21/2012)

I watched it for the second time today, and it's so much better... I'm gawking. Most of the complaints I had are gone. In fact, all that's left is the Lizard's eye-popping digitality and the deadly serious (and therefore ridiculous) crane scene, but otherwise everything is in place in this comic book film. Horner's music is perfectly delightful, but it's a pity that the second film is not going to have it (this is truly a really stupid custom). (07/13/2013)

Sam, Mark Webb can’t hold a candle to you. Under Raimi, Spider-Man was better in every sense: funnier, more imaginative, livelier. Parker's becoming acquainted with his new abilities was rendered much more inventively, while Webb dispatches him with one awkward scene on the subway and a skateboard romp. In the second half, the all-too-new Spider-Man gets tangled with a digital lizard and has nothing more to offer. I won't even elaborate on the fact that the action scenes have no charge and are sometimes strangely edited. And the stars? Tobey Maguire was such a nice guy next door, a good friend with whom you'd go for a beer (well, in his case more like a glass of Kofola), while Garfield is just a grinning and weakly wisecracking brat. Summary: a pointless reboot. (10/24/2012)

Why didn’t they shoot this movie first? And why do they even shoot movies like this? Marvel wants to squeeze as much as possible out of Spider-Man and so they’re reviving the trilogy with completely fresh faces, new characters and new villains. In any case, I have to congratulate the authors. I like Spider-Man. I actually watched it when I was a kid. So it’s really surprising to me that this Spider-Man is much closer to the original character than the one in Raimi’s trilogy. They view the entirety of Spider-Man’s character in a different light. It’s more in-depth and more according to the comic original. Actually, it’s overall way more like I’ve always wanted. I don’t even know why they shot the previous trilogy the way they did. I don’t like these reboots, but I have to say that this one was a downright joy.  Somebody tried really hard this time. It’s most evident when it comes to the casting. Garfield and Stone were an awesome choice. Especially Emma. She’s such a pretty face that I could just watch her forever and I’d never get sick of her. But Rhys Ifans, Martin Sheen or Denis Leary are also great. This mix of actors really did the trick in this movie. When did they say the sequel was coming out? (11/17/2013)

The high school introduction reminds us where Webb's roots are and with them the solid ground beneath his feet. The moment Peter Parker becomes Spider-Man, the creative cluelessness is on full display. It doesn't work in regard to the catchphrases, and motivations, and especially not in the action, which may have squeezed a lot of processor cores, but the virtual camera can fly all it wants - there's not one bit of real physicality in there. The fact that the crane operators work well in the film is just the bizarre icing on this overblown yet perfectly empty cake. (07/15/2015)