Cinematography:
Pablo RossoCast:
Manuela Velasco, Javier Botet, Manuel Bronchud, Martha Carbonell, Clàudia Silva, Vicente Gil, Ferran Terraza, Pablo Rosso, Ana Isabel Velásquez, David Vert (more)Plots(1)
A television film crew, documenting the night shift of a Barcelona fire brigade, get much more than they bargained for when they attend an apparently routine call-out. Upon arrival at an inner city apartment, the firefighters are viciously attacked by the elderly female occupant, who appears to be in the throes of some sort of viral infection. Before long, the virus has taken hold of the entire building, which is cordoned off by the authorities. Trapped inside, the television crew - using their cameras to capture the events as they unfold - and the other remaining survivors find themselves pitched into a nightmare of unimaginable proportions. (Arrow Films)
(more)Videos (2)
Reviews (10)
The fact that the Americans are currently lagging far behind Europe in horror filmmaking is something we have seen several times recently, and this Spanish psychological thriller is a prime example of the European domination. REC combines to perfection all the tried-and-tested horror techniques, such as handheld camerawork, shooting in a small space and the complete absence of music, resulting in a disturbing and bloody adrenaline ride with an appropriately short runtime that doesn't allow the viewer to slack off for a moment, forcing them to constantly chew their fingernails. The grand finale in the style of Silence of the Lambs deserves my respect just because I was sweating at least five times more intensely than in the case of the famous thriller. The potential for a sequel is great, but the bar is set perhaps too high. Very strong 4*.
()
An intense horror inferno in which the directors hit the viewer with such vigor that you won't care about the questionable handheld camera - even though it has a strong defense for being there given that it’s part of a TV show where journalists want to film everything. Knowing that there’s not much new you can do with zombies, the film brings an excellent group of characters to the scene, who crystalize in the calm opening so that you can cheer them on, tooth and nail, in the final inferno. The main character is a decent character and I realized that I haven't worried about anyone in a movie as much as I did about her in a long time. The few shocking moments (the fall down the stairs, the little girl with her mother) and the entire ending, starting with the entrance to the attic, is a chapter of its own, for which I would gild the filmmakers' hands. I’d have to look far back in time to find SUCH a quality horror film.
()
Although I'm glad that the "randomly filmed unorganized horror" format still works great, this time it might have been a bit too much for me. While I was willing to hold my breath during The Blair Witch Project and cower in fear during Cloverfield, [Rec] not only failed to make me identify with anyone (kill the reporter with her eternal "Keep filming! Film everything!") but the best parts are not about the atmosphere and the escalating tension, but rather about when there's a moment that stops my heart and bursts my eardrums. And even though those moments are really deadly, I need much more satisfaction than that.
()
I finally watched the horror movie Rec, which is praised by horror fans, and I must admit that I am somewhat disappointed with the result given the high ratings and the enthusiastic reviews. Partially, it may be due to my exaggerated expectations because it is certainly not a bad movie. I just expected that a movie with an 80% rating would have an original theme, story, or truly quality execution. I was disappointed by the subject because the mystery turned out to be yet another version of a zombie horror, and I have mentioned in my reviews before that zombies simply do not scare me, or rather I am not interested in them as a horror theme. I was also disappointed by the execution because Rec does not significantly innovate the theme, it only slightly modifies it with a pseudo-documentary style, which already appeared some time ago in The Blair Witch Project. Although Rec surpasses that movie by several orders of magnitude in terms of professionalism, it is evident that the crew shot it with enthusiasm, there is a lot of energy in it, and considering what it offers to the viewers, there are no dull moments. However, that is not enough for the fourth star. There are simply too many clichés in it. Because I have seen something similar already, I essentially know exactly when someone will jump at someone else and which one of the characters will scream next. I would have liked it if the creators had taken a different path because to incite fear, isolation in an surrounded house is more than enough - fear of unknown danger, uncertainty, claustrophobia, and rapidly spreading paranoia. As it is well known, people are most afraid of what they do not see. The most atmospheric shots for me were from the attic laboratory, and I got startled once when the bulkhead doors fell... Rec has a likable cast - not that obvious acting talents appear in it, as this type of movie does not allow for that, but it is pleasant to see unknown faces instead of constantly looking at the same faces of several acting stars. I was specifically annoyed by the handheld camera, which, of course, played a crucial role in the story, but most of the footage was unnecessarily shaky and ruined my impression. The cameraman was supposed to be a professional, and if he showed me in real life something similar in the style of a seizure combined with the withdrawal of an advanced addict, I wouldn't fire him, because I would just kill him right away... Overall impression: 55%.
()
The handheld camera is seasonally in style, zombies and satanic worshipers with rabies have been doing well for a few decades, so why not combine it all together... In addition, the film as a whole works well and escalates very solidly in the end. What undermines this film, like the American film Monster, is the ostentatious playing for effect and the violent emphasis on everything being filmed NOW, AUTHENTICALLY, IMMEDIATELY. The result is compulsion, predictability, and annoying hysteria, but these smudges fail to cloud my otherwise positive impression. [Rec] can be watched with gusto and a slightly indulgent smile, but it radiates somewhat of sympathetic aura. I like it...
()
Ads