Directed by:
Brian De PalmaCinematography:
John A. AlonzoComposer:
Giorgio MoroderCast:
Al Pacino, Steven Bauer, Michelle Pfeiffer, Mary Elizabeth Mastrantonio, Robert Loggia, Miriam Colon, F. Murray Abraham, Paul Shenar, Harris Yulin (more)VOD (3)
Plots(1)
After years of diplomatic silence between the United States and Cuba, Castro opens the port of Mariel Harbor, Cuba, to thousands emigrating to the United States in search of the American dream. Shrewdly, Castro also unlocks the overpacked prisons, allowing hordes of criminals to join the refugees. Tony Montana, a small time hood, is one of them. In Florida, Montana connects with gangster Frank Lopez, and guns his way through the sun washed streets of Miami where he finds power, wealth and passion. He kills Lopez and marries his mistress, Elvira. Montana, better known as "Scarface," soon becomes the leader of a bloody cocaine-smuggling empire but at a terrible cost to his sister, Gina and his loyal friend, Manny. However, like that of others before him, Montana's reign is brief and a violent end is guaranteed as rival gangsters compete to become the next drug lord. (official distributor synopsis)
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Reviews (15)
I saw Scarface years ago, but even though I can vividly recall many details from the distant past, I didn't dare to review this film because it didn't really stand out to me. Now I have seen it for the second time and I have to admit that, considering the high ratings from fans, it brought me great disappointment. Brian De Palma made one of my favorite gangster films, Carlito's Way, but this time the story of a Cuban criminal felt very dragged out, the main character uncharismatic, and the ending of the film is simply and plainly stupid. The whole final battle for the luxurious villa is like something from a very bad action movie. Michelle Pfeiffer is indeed beautiful, but she doesn't have much room to act, Al Pacino does his best, but this time he seems to be overacting, and most importantly, there's quite a bit of filler in the film. Perhaps the only thing that pleased me was the confrontation with the Colombian gang in the opening part. Emotionally, I felt completely indifferent about the heroes and anti-heroes. Overall impression: 45%.
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Probably the biggest movie debt I've had and I'm very glad I took the time to watch it after a long time, because Scarface hasn't aged a day in 40 years. This is an excellent gangster movie that keeps you entertained, shocked, it’s suspenseful and fascinating for the entire two and a half hours. Al Pacino is excellent, but at times he got on my nerves with his behaviour, his sister is hot and so is Elvira. The action scenes have balls even today and blood is not spared. Perhaps the best part is the rise of Al Pacino from nothing to the absolute top. A great cinematic experience and actually a gem among gangster films. 95%
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A very, very good film, I like it very much... But I'm still not giving it 5 stars. It simply not on the level of Carlito's Way, and that's because Tony Montana is a bastard who you can't really root for. However, all those responsible for Scarface did a very good job.__P.S. Anyone who doesn't hold their breath even once during the chainsaw scene has something wrong with them.
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Oliver Stone and director Brian De Palma turned Howard Hawks' original, straightforward gangster film into a grand masterpiece and populated it with well-developed characters. Unfortunately, they also heavily paid the price of the time, dictated by President Jimmy Carter's anti-communist policies. Tony Montana, a refugee from Cuba under the rule of Fidel Castro, became a symbol of anti-communist resistance, impressing the people who worship the red and white stripes with white stars on a blue background. But anyone who can overlook this dated aspect from the creators will enjoy this impressively crafted "journey to the top." Stone manages to avoid the "godfather" portrayal of the characters, where we can already partially guess the transformation of the "good guys" into the "bad guys." Here, no one can ever be certain whether someone will change and, more importantly, why. The most extensive and problematic development is that of Tony Montana himself, played by Al Pacino, on whom Stone reflects the influence of the most primitive contemporary factors, such as drugs or money. Brian De Palma approached it as a stylized journey, in which even the most brutal violence is necessary (as evidenced by the chainsaw scene and the ending). So as a whole, the film feels like a grand and comprehensive fresco, yet it is capable of delving into the most intricate details. While Scarface cannot be classified as one of the possible definitions of the gangster genre, it can certainly be considered one of its pillars, which is certainly no small feat.
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I still can’t fully understand the massive popularity of gangster movies. They force the viewer to sympathise with arrogant (and often incompetent) criminals that make their profession look like the coolest thing in the world. This is a behaviour I can’t stand in any form and that’s why these films leave me underwhelmed, and Scarface is no exception. The three star rating, however, is quite strong. The shootout in the end is awesome.
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