Directed by:
Tomáš BařinaCinematography:
Martin PreissCast:
Kryštof Hádek, Tereza Ramba, Lukáš Langmajer, Lubomír Lipský st., Václav Postránecký, Jiří Bábek, Tomáš Matonoha, Lucie Benešová, Kamil Švejda, Robert Jašków (more)Videos (2)
Reviews (10)
An unexpected trip to a place where I felt so good as a viewer. Tomáš Bařina sent me so much optimism that I drew from it for several weeks. I enjoyed myself, admired, dreamed, and maybe three times I was so absorbed that I didn't believe my own senses. I won't need wine for the rest of my life, but here I maybe felt like opening it for the first time. At one time, a promise of hope not only for the summer but also for Czech comedy. It is such a pity that we see so little of this accurate judgment.
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This is a film from which I didn't expect anything special, and that is exactly what I got. The Moravian landscape, which I love, Tereza Voříšková, whom I don't love, but if I could, I would definitely love, and Lubomír Lipský all made it deserve three stars. Grapes has a nice mood, the end of summer is almost breathing out of the film... But only almost, because you still feel like you're flipping through a magazine full of photos rather than "being right there for an hour and a half".
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This is a feature-length advertisement for Mikulov and Moravian vineyards, supplemented by rough patchwork scenes and isolated weak jokes. The film has style with no substance, with unsympathetic protagonists offering only a pile of pseudo-philosophizing about wine and a handful of stereotypical clichés about the sunny Moravian utopia that is supposed to be a landscape full of rest, easy women and cheerful uncles.
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Considering how the second part is complete nonsense without any ideas, the first part works well, and the characters haven't yet become so opposed to each other. True, 50% of the success is mainly wine and Moravia; the rest is taken care of by the actors and a fairly decent screenplay. I have fond memories of Grapes, although I try to forget about the sequel. The dramatic story works quite well here, but in the end, what really sticks in your memory is the wine.
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I was sick and tired of the constant repetitive jokes about people from Prague (and I'm not from there myself). I didn't even get a proper dose of humor that I expect of a comedy. It made me smile a few times, but my sides remained unsplit. The film’s main assets were definitely Kryštof Hádek, whom I would find convincing even as a scam artist, and Tereza Voříšková, whose cracked voice makes the rest of my functioning nerve endings shiver.
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