Directed by:
Tomáš BařinaCinematography:
Martin PreissCast:
Kryštof Hádek, Tereza Ramba, Lukáš Langmajer, Lubomír Lipský st., Václav Postránecký, Jiří Bábek, Tomáš Matonoha, Lucie Benešová, Kamil Švejda, Robert Jašków (more)Videos (2)
Reviews (10)
I wouldn't mind at all if this had been a milestone between what Czech film has been and will be. I'm just tired of watching those bitter comedies, I don't want to watch the plight of ordinary people when it's handled the same way over and over again. Fine, this is not a work of art; but it's not a typical American comedy, either. It's an interesting film. It's a movie where everyone’s always drinking. It's a movie with lots of shots of Moravia. I didn't even know there was anything that nice in our country. So I guess I'm grateful for that. It's not a movie I'll remember days later. On the contrary, after a couple of hours I've forgotten it. Still, I think it's a stepping stone. Nothing that was, nothing that will be. Maybe it’s the sign of a change. Or maybe not; I'm clapping my liver. Without wine.
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An unexpected trip to a place where I felt so good as a viewer. Tomáš Bařina sent me so much optimism that I drew from it for several weeks. I enjoyed myself, admired, dreamed, and maybe three times I was so absorbed that I didn't believe my own senses. I won't need wine for the rest of my life, but here I maybe felt like opening it for the first time. At one time, a promise of hope not only for the summer but also for Czech comedy. It is such a pity that we see so little of this accurate judgment.
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I was sick and tired of the constant repetitive jokes about people from Prague (and I'm not from there myself). I didn't even get a proper dose of humor that I expect of a comedy. It made me smile a few times, but my sides remained unsplit. The film’s main assets were definitely Kryštof Hádek, whom I would find convincing even as a scam artist, and Tereza Voříšková, whose cracked voice makes the rest of my functioning nerve endings shiver.
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This is a feature-length advertisement for Mikulov and Moravian vineyards, supplemented by rough patchwork scenes and isolated weak jokes. The film has style with no substance, with unsympathetic protagonists offering only a pile of pseudo-philosophizing about wine and a handful of stereotypical clichés about the sunny Moravian utopia that is supposed to be a landscape full of rest, easy women and cheerful uncles.
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Considering how the second part is complete nonsense without any ideas, the first part works well, and the characters haven't yet become so opposed to each other. True, 50% of the success is mainly wine and Moravia; the rest is taken care of by the actors and a fairly decent screenplay. I have fond memories of Grapes, although I try to forget about the sequel. The dramatic story works quite well here, but in the end, what really sticks in your memory is the wine.
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Gallery (39)
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