Directed by:
Kenneth BranaghCinematography:
Haris ZambarloukosComposer:
Patrick DoyleCast:
Chris Hemsworth, Tom Hiddleston, Anthony Hopkins, Natalie Portman, Colm Feore, Jaimie Alexander, Stellan Skarsgård, Adriana Barraza, Stan Lee, Ray Stevenson (more)VOD (3)
Plots(1)
Epic adventure THOR spans the Marvel Universe from present day Earth to the realm of Asgard. At the center of the story is the mighty Thor (Chris Hemsworth), a powerful but arrogant warrior whose reckless actions reignite an ancient war. Thor is cast down to Earth by his father Odin (Anthony Hopkins) and is forced to live among humans. A beautiful, young scientist, Jane Foster (Natalie Portman), has a profound effect on Thor, as she ultimately becomes his first love. It’s while here on Earth that Thor learns what it takes to be a true hero when the most dangerous villain of his world sends the darkest forces of Asgard to invade Earth. (official distributor synopsis)
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Reviews (16)
A beautiful fairy tale that manages to illustrate both worlds (based on Thor's realm). I was a little bothered that Thor knew everything. On the other hand, there have been plenty of aliens amazed at cars and so on. I laughed at the scene where Thor walks into the Pet Center and says: "Give me a horse." The film certainly has more positives than negatives, but I'm still a little short of a full count. The 3D was completely unnecessary.
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After embarrassing trailers and 3D conversion, I avoided watching Thor in the movie theater. Now, in retrospect, I feel that was a mistake because Branagh has delivered a terrific comic book movie that bucks the fashionable trend of machine psychoanalyses of the heroic mind, and instead has a sympathetic man land on Earth who tackles everything with a disarming combination of unearthly naivety and muscularity. The characters are as flat as ever, but the actors are excellent, it moves along nicely, and it's full of humor (or Asgard) and proper pomposity. A sequel, please!
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It’s clear to me now why a Shakespeare filmmaker like Kenneth Branagh went for this. All the scenes from Asgard seem like great theatre, with interesting characters, great fatality, betrayal, envy and jealousy. Asgard, with its megalomaniacal architecture and all its pomposity, was the most entertaining part, and the episode from Earth, thanks to the good actors, was also enjoyable, although I can't shake the impression that more unintentional humour could have been extracted from "Thor wondering among men like a bull in a china shop". Chris Hemsworth is likeable in every way, Hopkins finally after a long time in a role that suits him best; these classy characters, that's his thing. Overall an enjoyable 2 hours and I wouldn't mind a sequel.
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Perhaps my disappointment with this is caused by excessive expectations based on decent to enthusiastic responses, but even though I was only expecting a fun summer blockbuster, I was surprised at how intellectually shallow and easily forgettable this is. The only positive aspect is Kenneth Branagh's perspective, as he was well aware of the stupidity he was directing and didn't take it too seriously. On the other hand, there is too much genre baggage and pathos in it for my taste. I really didn't expect that I would enjoy Snyder's Watchmen more... Overall impression: 40%, influenced positively by the enchanting Natalie Portman.
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I would give everything in the world for a trip to Asgard. What the camera (and special effects) showcase in conjunction with the epic soundtrack surpasses everything I have seen in a long time, and each shot showing me a piece of Thor's homeland almost moves me with its grandeur. Kenneth Branagh ultimately succeeded in everything he touched. The actors are all fantastic (Tom Hiddleston unexpectedly shines), the dramatic storyline doesn't give you a moment of rest, the action is flawless, and the romantic subtext is more than just subtext. In short, this is a captivating comic book adaptation that confidently presents a treacherous subject in a Marvel light, and it intensifies your anticipation for The Avengers to an almost breathless maximum.
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