Directed by:
Nicholas StollerScreenplay:
Jason SegelCinematography:
Russ T. AlsobrookComposer:
Lyle WorkmanCast:
Jason Segel, Kristen Bell, Mila Kunis, Russell Brand, Bill Hader, Maria Thayer, Jack McBrayer, Jonah Hill, Paul Rudd, Branscombe Richmond, William Baldwin (more)VOD (4)
Plots(1)
Peter (Jason Segel) is a struggling musician who finds his world turned upside down when his TV celebrity girlfriend, Sarah Marshall (Kristen Bell), dumps him for a tragically hip rock star. (Universal Pictures US)
Videos (3)
Reviews (11)
I don't usually have high expectations for romantic comedies, so I'm pleasantly surprised whenever one manages to captivate me. Jason Segel did a decent job as the writer and main protagonist, although there were moments when I saw too much of him. His portrayal of Peter's misery was hilarious, and the predictable plot of this romantic comedy didn't strike me as silly, which was a welcome departure from the standard. Even Mila Kunis was okay. It was quite a relaxed movie that gave me a few chuckles, keeping me entertained without resorting to cringe-worthy jokes, with only a few exceptions. I even found myself forgiving the creators for some traditional clichés as the movie put me in a really good mood. / Lesson learned: Feeling down? Consider going diving with sharks.
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Another enjoyable comedy from Judd Apatow, plus my favorite actors from TV series: HIMYM's Marshall (Jason Segel), VM's Veronica Mars (Kristen Bell). I was captivated by the character of Aldous Snow – Sarah's new boyfriend and extravagant singer, played brilliantly by Russell Brand.
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Nothing special, really, but on the other hand it was terribly cute and naive and had nice performances, so all the missteps and clichés were masked quite successfully in the end. Jason Segel fits his role perfectly, as does Mila Kunis, whose beauty surpasses even the entire Hawaiian scenery and manages to make an already easygoing film a bit more enjoyable for me. What puzzles me, though, is the much-vaunted cult of Judd Apatow. With all due respect, as beautiful as Forgetting Sarah Marshall is, I really struggle to find a single plot or emotional impulse that lifts it out of genre routine and touches the romantic in me with the same love and sincerity as some of the films by Rob Reiner, Jason Reitman or Lasse Hallstrom.
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So this comedy didn't really impress me despite the reviews here, but I guess it's probably my own opinion and the fact that I don't really like Jason Segel and Russell Brand, who didn't become my favourite actors after this film either. Well, what can I say! I was absolutely out of touch with the main character's inner experience, and so some moments just seemed pointless and at times I was even bored (the running time could have definitely been 15-20 minutes shorter). In short, I can't think of anything else to say right now other than that for me it was an absolutely mediocre affair.
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Forgetting Sarah Marshall is a film that doesn’t need its first kiss boosted by anything more than a two-second quiet romantic tone to make it into the most romantic moment in the film. Forgetting Sarah Marshall has so much sincerity and tangible reality in it, such multidimensional and believable characters, and offers such versatile, fair, non-clichéd comic and dramatic situational clashes of characters that it’s a match for any highly acclaimed psychological drama in terms of having a unique creative touch and quality storytelling. I saw this in a multiplex right after the shallow, superficial, tacky, cheap and unoriginal Sex and the City – and it didn’t just improve my mood for a moment, it improved my whole weekend. Judd Apatow is no less intelligent than Steven Spielberg, and thanks to him, after twenty years of watching movies, I fell in love with a genre that I have always considered only mindless fun. And what about the missing fifth star? You don’t fall in love with a girl because she’s perfect...
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