Directed by:
Woody AllenScreenplay:
Woody AllenCinematography:
Javier AguirresarobeCast:
Javier Bardem, Scarlett Johansson, Christopher Evan Welch, Rebecca Hall, Penélope Cruz, Chris Messina, Patricia Clarkson, Carrie Preston, Kevin Dunn (more)VOD (3)
Plots(1)
Vicky and Cristina are two young Americans spending a summer in Spain, who meet a charming Casanova and his beautiful but volatile ex-wife. When they all become romantically entangled, the smoldering sparks begin to fly in hilarious fashion. (official distributor synopsis)
Videos (2)
Reviews (9)
Woody Allen, even at his rather advanced age, is incredibly funny, a brilliantly wry observer and storyteller who ingeniously hides his ironic messages underneath the charming, sens(eless)ual beauty of summertime Barcelona. The characters of the two (gorgeous) leads are at first glance more than a little different, but as their characters are put into situations in which they are more and more "tested" as the narrative progresses, the initial scattergun approach then completely disappears and the individual attributes of their characters overlap and merge. Vicky Cristina Barcelona can hardly be described as a romantic genre film because there is so much hidden under that attractive skin that would be worthy of several stacks of psychological, philosophical, or social studies, none of which would come to anything definite anyway. However, the way Woody Allen presents his views on relationships, family life, or morality is fantastic.
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My next meeting with Woody Allen was very pleasant, I must say. It is thanks to the beautiful environment, because Spain is one of the countries that I dream about. But the main roles also contribute to it. Javier Bardem is perfectly Spanish and magical, which is enhanced by the well-chosen music, but even the narrator's voice. Scarlett Johansson is fine in her role, but what seemed more interesting to me in this story was Vicky, or rather her actress Rebecca Hall. However, all attention is absolutely captured by Penélope Cruz, who is excellent, but I admit that I don't quite understand how this role could have earned her an Oscar. I almost feel like they forgot about her in another movie - maybe because they didn't give her an Oscar for "Volver," she got it for this. In my opinion, everything is dominated by Woody Allen's good screenplay, which has only one flaw - it is, I don't know, it feels unfinished as the best expression. Lots of great ideas, but I just feel like something is missing for it to be perfect, that the story is wonderfully laid out, but when it could have had great twists, an excellent finale, it somehow ended up lost. And yet there could have been so much there. It dealt with a truly great theme - infidelity, but also openness, conservatism, and the possibility of loving multiple people at once. When are we truly fulfilled? When do our lives make sense? And what do we want from life? Is there too much or too little? Are we even capable of achieving happiness, or do we only live to avoid hurting others? Can we actually recognize where our happiness lies? Do we know what we truly want? A beautiful exploration of human lives, which are often comical, sometimes crazy, but still lives that we control ourselves, and it is only up to us how well we will do. More: http://www.filmovy-denik.cz/2012/12/motocyklove-deniky-proposition-v-zajeti.html
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Woody Allen has woven yet another web of relationships in which he has once again trapped a respectable series of sympathetic actors and actresses. Again, it's a very fine viewing experience, aided this time by the (by Allen's standards) exotic setting. From the beginning, Vicky Cristina Barcelona has a very strange momentum that is perhaps not even momentum. The story rather just goes along through sunny Spain, waiting, waiting, waiting... Before the director and screenwriter mixes the character of the excellent Penélope Cruz into the plot and a peaceful scenic drive through the countryside becomes a true rally thanks to her temperament. I give four and a bit mainly for her.
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First I fell in love with the poster, and after that, one photo was enough to decide whether to buy it or not. And I did indeed buy it because I know what I like. :) A free translation for those interested in the actual commentary on Vicky Cristina Barcelona reads as follows: I've gotten used to having Scarlett Johansson, who I don’t particularly like, in movies I wouldn't want to miss, so her acting doesn't give me goose bumps as much anymore. I've confirmed many times that I prefer to seek out Penélope Cruz outside of the present in films from any past era, and Javier Bardem impressed me in Goya's Ghosts and Love in the Time of Cholera. The combination of these three actors, however, evoked flawless chemistry in my eyes, and the summer mood imbued with the sexual energy of a love triangle promised exactly the kind of story the film tells. Are you tempted by this? Give in to it.
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Allen is still in top form, writing great scripts like a treadmill and breathing such charm into them as no one else could. Though it's true that here the central female trio contributes a lot to the charm, with one actress being more attractive (and better) than the other – and I was downright envious of Javier Bardem's role. It's not a romantic gem and it gets a bit lost in the flood of Allen's films, but it's still a more than pleasant summer diversion spiced up with excellent actors and the traditionally playful direction of one of the most legendary filmmakers of our time. Besides, there's something really magical about Barcelona, and it's not the Nou Camp...:-) 80%
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