Directed by:
Kevin MacdonaldCinematography:
Rodrigo PrietoComposer:
Alex HeffesCast:
Russell Crowe, Ben Affleck, Rachel McAdams, Helen Mirren, Robin Wright, Jason Bateman, Jeff Daniels, Harry Lennix, Josh Mostel, Michael Weston (more)VOD (1)
Plots(1)
Russell Crowe leads an all-star cast, including Ben Affleck, Rachel McAdams & Helen Mirren in the blistering thriller about deception, manipulation and corruption. When D.C. Reporter Cal McCaffrey (Crowe) is assigned to investigate the murder of an assistant to an up-and-coming politician (Affleck), he uncovers a conspiracy that threatens to bring down the nation’s power structures. In a town of spin-doctors and wealthy power brokers, he will discover one truth: when fortunes are at stake, no one’s integrity, love or life is safe. (Universal Pictures Home Entertainment)
(more)Reviews (11)
A solid political thriller with great actors, good direction, but a problematic script that results in several characters and scenes feeling empty, and a resolution that is too concise, to the point that after one viewing I’m not entirely sure that everything fits properly. That wouldn’t be a problem in a sci-fi mystery movie, but in a political thriller, which should rely primarily on the plot turning flawlessly and the effect of the final twist, this is a pretty serious shortcoming. 6+/10
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Who was the good guy and who was the bad guy? Who made a mistake and who didn’t? Politics is a dirty game and journalism is too, mostly, and when good people get involved with either of them, it changes them, usually in the worst possible way. That’s more or less what this outstandingly acted detective drama is all about. Crowe gives a standard performance and Ben Affleck is getting better and better. The only thing I don’t understand is the Czech title of the movie. This movie certainly isn’t destined for slaughter.
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Very nice directing and good actors, but the script hardly traverses the three levels of the story: thriller, political-journalistic moralizing and personal drama. The introduction is excellent, full of the unique and very rhythmic direction by Macdonald, but then everything somehow shatters, shreds, evaporates... the legible transnational conspiracy tries to compare with the more serious mental matrix, but it is tedious and quite protracted. The final twists may come as a surprise, but they do not fix the shoddy impression from the previous storytelling. In the end, State of Play is neither an original thriller nor a film that would appeal to us with any message. It has a little bit of both and not enough of either. Nevertheless, mainly thanks to the directing and the actors, it holds up more than honorably. [70%]
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Politics is a dirty game. Journalists are buggers. Classic journalism is almost a thing of the past. Tony Gilroy is a good writer. Kevin Macdonald has a nose for interesting, current material. Russell Crowe has charisma even with his dad-bod belly. Helen Mirren can take over even when given a minimum of space. Jeff Daniels has his best years behind him. Rachel McAdams is completely uninteresting. Simply old, familiar truths that are also completely true here. The only truth that doesn't apply here is the one about remakes being redundant, because this one is anything but redundant or bad. It does not tarnish the good name of the British original, rather the opposite.
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Take out Affleck's dull, inarticulate expression and Helen Mirren's superfluous character of a principled journalist, and you are left with the best you could wish for in a conspiracy political thriller: a great plot, a dense atmosphere sculpted by tons of political dirt and forbidden machinations, a terrific score, and four or five excellent actors who we trust to live and breathe their characters. But be warned, it's still nothing but highly stylized and cleverly twisted Hollywood entertainment with an intrepid Crowe and an attractive McAdams, where the spectacular pursuit of justice far outweighs the honest themes of classic conspiracy films. But you have to get used to it, because you can't do better than this in the genre today – and personally I’m not complaining. 80%
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