Directed by:
Stephen SommersCinematography:
Mitchell AmundsenComposer:
Alan SilvestriCast:
Dennis Quaid, Channing Tatum, Marlon Wayans, Sienna Miller, Joseph Gordon-Levitt, Saïd Taghmaoui, Christopher Eccleston, Adewale Akinnuoye-Agbaje (more)VOD (4)
Plots(1)
In G.I. Joe: The Rise of Cobra, the G.I. Joe team, armed with the coolest hi-tech gadgets and weapons, travels the world from the Egyptian desert to the polar ice caps in a high stakes pursuit of Cobra, an evil international organization threatening to use a technology that could bring the world to its knees. (official distributor synopsis)
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Reviews (9)
Four super clean stars. I don't know what it is, but none of the Transformers films entertained me as much as G.I. Joe... Sommers is an entertainment expert, so what does it matter that he borrows almost every scene from another movie? He does it well and it's great. The characters in the film are constantly shouting "Woow!" and "Yeeah!", and these exact same words came to mind when I watched this whirlwind in the movie theater. I'm looking forward to the second film. And the third.
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Action Man dolls fighting. It’s stupid, unbelievable, illogical and also really entertaining. Sommers may not be as good at action sequences as Bay, but still your eyes will be out on stalks: during the Star Wars battle under the sea, during the chase through Dejvice [a district of Prague] (excuse me, through Paris), during the duel with samurai swords, during the totally dumb lines that the Czech dubbing improved in translation. Quaid is cool, Tatum a chump and Arnold Vosloo a nice guy. It’s no surprise, having watched the trailers, that Rachel Nicols and Sienna Miller cause much drooling. And even Fantomas makes an appearance. Don’t take G.I. Joe at all seriously, it’s just an expensive commercial for toys. What the?!
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An evil Asian, a tough black guy, a black guy spewing catchphrases, a Bond-esque villain, his fuckable assistant, a charismatic general, and ninety-four other reasons, with one added on top, not to like contemporary Hollywood. This film is the perfect storehouse of ammunition and weaponry for its opponents. Looking around, I fully understand why so many spectators were banging their heads against the seats in front of them. But... to expect anything witty from Sommers is a mockery of one’s own common sense, and I succumbed to the film from the first seconds. When, after half an hour, the action that another director would have saved for the ending - and I felt happy when 1 (in words: one) Eiffel Tower is saved and half of it is demolished (mathematically: ½) of Prague - I wondered if there was such a thing as creative judgment and common sense. And yet it was still not over. Star Wars! The craziest, most unbelievable, and most entertaining high-budget dementia that contemporary cinema has to offer. My head hurts, it really does.
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I watched it in 3 hours or so with all "stop" and "play". So I wasn't that bored. Still, I was tempted to fast-forward some of the fight scenes. Unnecessarily long running time, I'm sure it could have been done better in 80 minutes. It's very nice that they all knew each other, had a tragic past, and something in common. Such bullshit. It's watchable, but you better not turn your brain on. So if you want to turn it off, and turn it off hard, put this on.
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Exactly as expected. I wouldn't bother with a one-star-rating essay about how bollocks it is, even a small child knows it's bollocks. So I don't see a reason not to fully enjoy it knowingly. The action is unprecedented and cleverly filmed , with well-executed various technical gimmicks and other trifles. The acceleration suits are really cool. Above all, please don't look for something that isn't there, get some quality speakers, a big-screen TV, and let's go.
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