Directed by:
Louis LeterrierCinematography:
Peter Menzies Jr.Composer:
Ramin DjawadiCast:
Sam Worthington, Gemma Arterton, Liam Neeson, Ralph Fiennes, Jason Flemyng, Alexa Davalos, Mads Mikkelsen, Luke Evans, Izabella Miko, Liam Cunningham (more)VOD (3)
Plots(1)
In Clash of the Titans, the ultimate struggle for power pits men against kings and kings against gods. But the war between the gods themselves could destroy the world. Born of a god but raised as a man, Perseus (Sam Worthington) is helpless to save his family from Hades (Ralph Fiennes), vengeful god of the underworld. With nothing left to lose, Perseus volunteers to lead a dangerous mission to defeat Hades before he can seize power from Zeus (Liam Neeson) and unleash hell on earth. Perseus sets off on a perilous journey deep into forbidden worlds, leading a daring band of warriors, including Draco (Mads Mikkelsen), an experienced soldier who encourages the defiant Perseus to make use of his god-given abilities. Battling unholy demons and fearsome beasts, they will only survive if Perseus can accept his power as a god, defy his fate and create his own destiny.
Propelling audiences into a mythological world of epic action and adventure, Clash of the Titans will be presented in 3D, making the gods even more formidable, the creatures even more fearsome, and taking audiences even deeper into the mythological realm of Perseus’ quest. (official distributor synopsis)
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Reviews (13)
A much lesser evil after a second viewing. The biggest flaws (Leterrier's botched direction of everything, rip-offs at every turn, the absolutely plankish Worthington, the terrible music) remain, but once you're sort of prepared for what you'll see it gets a lot more digestible. Two and a half stars.
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The rulers of heaven, which looks like something from a cheap porn flick, send two “scary” characters – a dimwit from Star Trek and a CGI Medusa with a model’s face – to stop a modern-day Chuck Worthington Norris from preventing Kraken’s King-Kong dinner. If Louis Leterrier really is a fan of the 1981 original, which, as he says, is forever in his heart and on his mind, he should get a brain transplant.
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This remake of a famous fantasy adventure can’t even hold a candle to its 30 year older predecessor. The film is packed with action, but everything seems too fast, without emotion, without thought and, most importantly, without suspense. Those who were looking forward to the thrilling duels with Medusa and the Kraken will be disappointed, because this duo, who managed to create so much tension in the original version, are not much more than a blink in the story and you don't even get to enjoy them properly. Also, Sam Worthington, with his charisma, is unable to fulfil the role of the fearless and valiant son of the ruler of the gods and please the female part of the audience. In short, everything is bad... 35%.
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I'd be happier if this version wasn't so sure of its position as a remake (see the owl scene). As a standalone film, it might be more acceptable, but the additional fact that it's supposed to be the first part of a new trilogy is just another load of crap. In terms of the formal aspects, the film is a strange mix of almost TV-like scenes, supplemented here and there by effective (kitschy) shots of landscapes or sunsets. The dreaded monsters are more disgusting than scary, and the gods forgot their glow back in the 1980s, which isn't exactly great either. The acting is unfortunately completely lacking. Hans Matheson and Polly Walker are not the worst of the bunch, but they also only have miniscule roles. The same goes for Mads Mikkelsen or Luke Evans, but I didn't even notice them until much later. I'm really not an uncritical admirer of the original film, but this film is hopeless, where the only good thing is the few minutes spent with Medusa.
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You won't find a better on-screen adventure for miles, but the bad thing is that this is a remake of a cult classic that definitely didn't deserve this level of editing. Leterrier likes action, which is decently underscored by Djawadi's aggressive bass, but unfortunately, he layers it into a completely nonsensical and UNINTERESTING whole that relies on visuals from The Lord of the Rings and a frantic pace that simply BORES with its perpetual asking of logical questions! Without the badasses Mikkelsen and Cunningham and the beautiful Arterton, there would be absolutely nothing to see here.
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