Directed by:
Aaron SorkinScreenplay:
Aaron SorkinCinematography:
Phedon PapamichaelComposer:
Daniel PembertonCast:
Eddie Redmayne, Alex Sharp, Sacha Baron Cohen, Jeremy Strong, John Carroll Lynch, Yahya Abdul-Mateen II, Mark Rylance, Joseph Gordon-Levitt, Ben Shenkman (more)VOD (1)
Videos (2)
Reviews (13)
Netflix's burning iron is a Best Picture of the Year and Oscar contender and I'm rooting for it! Aaron Sorkin serves up a tense and controversial trial about a demonstration in Chicago where blood flowed in the streets, and it's one of the best courtroom dramas of the last few years. The acting is absolutely top-notch and every actor gets a chance to shine (Sacha Baron Cohen, Yahya Abdul-Mateen II, Michael Keaton, Eddie Redmayne and Mark Rylance are all impeccable). The film has a very oppressive atmosphere, is emotionally charged, nicely paced and I found myself holding my breath during the courtroom scenes. A very good film in every respect, I have nothing to fault it. Story*****, Action>No, Humor***, Violence**, Entertainment*****, Music****, Visuals****, Atmosphere*****, Suspense****. 9/10.
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This delicately written, acted and edited conversational movie about positive values and a bad system of power is surprising due to its rather banal and, for Sorkin, unexpectedly theatrical climax. For me, the highlight of the film remains the first long, one-shot scene in the courtroom, followed by static shots of those present standing at attention after the judge steps into the courtroom.
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Courtroom sitcom. A serious topic, but one that is desperately sterile, slow, plodding, and devoid of drama. How this can be such a critically acclaimed hit in the US to the point that it’s supposed to be an instant classic is beyond me. I understand the portrayal of a legendary trial that is such a sensitive subject for the US, but from a cinematic standpoint, it's too much to fall asleep to after 30 minutes.
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"The whole world is watching." The Trial of the Chicago 7 benefits in particular from an excellent cast and a real-life story. Although the film is mostly set in a courtroom and consists mainly of courtroom dialogue, accusations, objections, testimony, etc., it does not come across as unnecessarily verbose and boring; on the contrary, it thrills through verbal shootouts and confrontations between the various characters, which it manages to do until the very end. Of the actors, Sacha Baron Cohen, Frank Langella, Mark Rylance and, in a smaller role, Michael Keaton were the best, but , the other actors also played their parts in a convincing manner. The film skillfully blends period footage with Aaron Sorkin's reconstruction of the actual case, and engagingly highlights the age-old struggle between ordinary honest people and a politically amoral system.
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One of those films that's so elaborate it's simply a joy to watch, although there is “just" talking for two hours. The script is almost at the level of 12 Angry Men, and through a story from the 1960s it tells clearly enough about the present, the monologues and dialogues are refined, the tension rises only when someone is silent, or when someone interrupts someone's speech. Aaron Sorkin was able to write and shoot a great film, with a cast that has most importantly the perfect Sacha Baron Cohen and Mark Rylance, but the other actors are certainly good as well. It's also a big treat thanks to Daniel Pemberton's music.
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