The Trial of the Chicago 7

This delicately written, acted and edited conversational movie about positive values and a bad system of power is surprising due to its rather banal and, for Sorkin, unexpectedly theatrical climax. For me, the highlight of the film remains the first long, one-shot scene in the courtroom, followed by static shots of those present standing at attention after the judge steps into the courtroom. (10/27/2020)

Netflix's burning iron is a Best Picture of the Year and Oscar contender and I'm rooting for it! Aaron Sorkin serves up a tense and controversial trial about a demonstration in Chicago where blood flowed in the streets, and it's one of the best courtroom dramas of the last few years. The acting is absolutely top-notch and every actor gets a chance to shine (Sacha Baron Cohen, Yahya Abdul-Mateen II, Michael Keaton, Eddie Redmayne and Mark Rylance are all impeccable). The film has a very oppressive atmosphere, is emotionally charged, nicely paced and I found myself holding my breath during the courtroom scenes. A very good film in every respect, I have nothing to fault it. Story*****, Action>No, Humor***, Violence**, Entertainment*****, Music****, Visuals****, Atmosphere*****, Suspense****. 9/10. (10/16/2020)

What I will not lie to you, something has finally appeared on Netflix that is immediately shining in red numbers, it doesn't smell of flop, and it plays with the idea of being nominated for this year's Oscars. In addition, over three thousand people rated it here in less than a month, and superlatives were not spared here. I was quite looking forward to it. The result, however, is more or less average. The subject matter is strongly American. It took me a long time to understand what was actually happening in the movie. I, unaware of American history around 1968, had no idea how significant the trial in Chicago was. However, like the user Dzeyna or Enšpígl, I have a feeling that the American trial has already been filmed a thousand times better. However, the performances are clearly the movie's asset. Sacha Baron Cohen, Eddie Redmayne, Mark Rylance, and Frank Langella shine here. Even that beautiful, typically Hollywood ending really appealed to me. But that's all. I expected better, much better. (11/08/2020)

Courtroom sitcom. A serious topic, but one that is desperately sterile, slow, plodding, and devoid of drama. How this can be such a critically acclaimed hit in the US to the point that it’s supposed to be an instant classic is beyond me. I understand the portrayal of a legendary trial that is such a sensitive subject for the US, but from a cinematic standpoint, it's too much to fall asleep to after 30 minutes. (05/16/2021)

The acting is so good, I'd gladly watch it all over again this minute. And amazingly its Cohen who carried it for me, despite the fact that I’m not exactly a fan. Whether he was joking or being serious, I totally believed that this is exactly the kind of person that existed back then. Having seen the whole thing, I rate the script as successful, but I guess I won't be the only one who wasn't hooked at first. Once the courtroom opened, the powerful, at times sad, at times funny trial began, with the aforementioned cast delivering a beautiful, at times heartbreaking, performance. Still, I feel that their performances could have been "pieced together" a little better for the viewer. A strong 4 stars. (08/28/2021)