Directed by:
Andrew StantonCinematography:
Dan MindelComposer:
Michael GiacchinoCast:
Taylor Kitsch, Mark Strong, Willem Dafoe, Lynn Collins, Samantha Morton, Dominic West, Polly Walker, James Purefoy, Thomas Haden Church, Daryl Sabara (more)VOD (5)
Plots(1)
Edgar Rice Burroughs' classic tale of interplanetary adventure arrives on the big screen in this sweeping sci-fi spectacle marking the live-action debut of Oscar-winning director Andrew Stanton (Finding Nemo, WALL-E). Civil War veteran John Carter (Taylor Kitsch) was still haunted by the violence he witnessed on the battlefield when he inexplicably awoke on the distant planet of Barsoom (Mars). Upon learning that the inhabitants of Barsoom are bracing for a major conflict and that war appears inevitable, John finds out that love is a rare commodity on the Red Planet, and summons the courage to be the hero the Martians have been hoping for. Meanwhile, John falls under the spell of the enchanting Dejah Thoris (Lynn Collins), who struggles to suppress her compassion in a society known for its warlike ways. Willem Dafoe, Samantha Morton, and Mark Strong co-star. (official distributor synopsis)
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Reviews (11)
A cool and watchable fantasy snack. The great visual and sound effects, the captivating sets and an interesting alien setting greatly support a slightly routine story that can no longer be taken seriously these days. Taylor Kitsch is ok, but Jake Gyllenhaal could have been better. Otherwise, I can’t complain. the two hours passed like water, Lynn Collins has beautiful eyes, and John Carter boldly aspires to be not only the best popcorn movie of the year, but also the most visually enchanting spectacle since the lush and magical Prince of Persia. 75%
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A princess (from Mars) and I have been catapulted into a world inhabited by little green men, where they shoot with ray-guns and they have funny-looking dogs. Exactly as I had imagined. John Carter is pure pulp fiction, the type I grew up on (I read two books from the Carter series). Maybe it leans more toward being a fairytale, but the important thing is that the story is nicely predictable, easy to follow and entertaining. It was one of the first of its genre and finds it really difficult to come up with something original, but Stanton did a good job anyway. I didn’t have much trust in Taylor Kitsche before seeing this movie, but he surprised me, as did Lynn Collins and the greenies. The monsters didn’t have that Star Wars stamp on them and they certainly are no substitute but stand alone in their own right. Carter is passable as a piece of history. What a nice wedding it was.
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I resisted the John Carter phenomenon for many years, but the beauty of Dejah Thoris is immense, and in the Dynamite comics, it's also an enjoyable read. It was thus necessary for me to watch the film that was released for the 100th anniversary. The opening scenes, admittedly, are not great, and the introduction to the complex plot unfolding on several levels is not entirely successful. But once this predecessor to Superman and Star Wars rolls into one, it's awesome. The excitement of a pre-World War I future, the fascination with the unsuspected possibilities of craters on Mars - all these aspects are there for the taking and entice us.
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It's a wonderfully positive and magnificent affair, unfortunately with a very poor script and dramaturgy. I can only give it an average rating for a few things that will be deeply embeded in memory: the visual effects (a mix of Avatar and Star Wars), the adventurous music, and the mythology to some extent. Don't expect any great performances, because there aren't be any. Taylor Kitsch is one of the most plankish actors in Hollywood, but it's unbelievable to say that occasionally he is also likeable. I don't understand those 250 million and I understand that the return is meager. It's a classic popcorn movie through and through, but without transcendence, proper catharsis, groundbreaking ideas, or political incorrectness. And that's generally not in fashion today. In the 90s, though, it would have been a hit.
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A forgotten sixth-rate classic, whose excessively lukewarm reception from the audience showed that its time has long passed. And it's a damn shame, because the hero John Carter, the tough guy Kantos Kan, or my childhood love Dejah Thoris truly come to life on the big screen in all their beauty. The haphazardly cut timeframes scared me a bit in the first few dozen minutes, but once everything settles on Barsoom, the sides are divided and the jumping, slashing, and heroic speeches to the crowds begin, all becomes clear. A successful blockbuster takes place between two worlds, transforming the ancient cult into a spectacle full of lines, action, and very well-done moments (the battle cut with a flashback left me with my mouth wide open). We may not get a sequel, but one story for us adventure-seekers will remain.
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