Directed by:
David YatesScreenplay:
Steve KlovesCinematography:
Eduardo SerraComposer:
Alexandre DesplatCast:
Daniel Radcliffe, Emma Watson, Rupert Grint, Helena Bonham Carter, Bonnie Wright, Maggie Smith, Evanna Lynch, Robbie Coltrane, Alan Rickman (more)VOD (4)
Plots(1)
The end begins as Harry, Ron, and Hermione go back to Hogwarts to find and destroy Voldemorts final horcruxes, but when Voldemort finds out about their mission, the biggest battle begins and life as they know it will never be the same again. (official distributor synopsis)
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Reviews (15)
About until half way through (somewhere after conjuring up the barrier) I have no objections. However, thereafter, instead of gradually climaxing the eighteen hours spanning ten years, it chops it up into a series of a few dozen moments. Each of them is great, often atmospheric too, and frequently gripping and ingenious, but put all together they don’t give the impression of a unified story heading toward one goal. It chops it up more and more until it turns into something that, despite being impressive and entertaining, is an epically cold popcorn picture. The only emotions are provoked only by (again the genius of) Desplat. And that is a bit too little.
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Better than the previous film, but if the result of a long wait for something is just this pace-weary and conversationally ridiculous ending, I'm not accepting it. The last Harry Potter is dark mainly because in 3D there is sometimes nothing to see. I am not a reader of the saga, so cheap nostalgia does not apply to me, and I calmly enjoy non-originality, non-ingenuity and a nice-looking, but routine design. The Harry Potter saga remains for me, even after the "grand finale", an overpriced audiovisual illustration of a book series that, after Cuarón's departure, has lost any lasting overlap in my heart space.
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I was able to watch both of the final two Harry Potter films in close succession, and that made it clear to me - the finale of this series couldn't have been better. From the beginning to the end something happens, the viewer feels that something is going on, no scene is extra, no character is superfluous. I knew that I would be moved by certain moments, because I was already moved by them when I read the books. But I didn't really expect that it's going to be moving to the point (you know whose death I mean) that it's going to have the power of the best moments from The Lord of the Rings: The Return of the King. My hat goes off to David Yates, in whom the series has found an excellent director, and I was happy to see every actor who even was glimpsed in any of the eight magical films.
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The last Potter suffers from being split up. While part 1 of 2 (the intro) works even without a finale, part 2 of 2 (the finale) without an intro doesn’t taste so good anymore (when I watch both parts in a row, this problem will probably vanish). And there’s a lot to fit in, so most things are just said rather than shown, and so for instance Dumbledore’s villainy is cut down to just a couple of sentences. But this is just a problem with the screenplay and Kloves’ pruning that we are already used to from before. Otherwise, Yates handles Harry’s last adventure pretty decently, it’s just a little obvious that he doesn’t have time to focus on those deaths as much as he would like to and important characters fall like flies in battles that we never see. But it’s all about Harry, anyway. Primarily about Harry. That boy has trodden a damn long journey, and we have with him and fundamentally the finale isn’t a disappointment. Excellent actors, Alan Rickman was given some room at last, stealing the best scenes of the movie and even Ralph Fiennes as Voldemort duly enjoys himself (the same way I enjoyed Neville being teased - magic, this was always a missing in the Potter movies). I have to admit that the saga got me in the end. I used to think those books about a boy with glasses were ridiculous before someone persuaded me give the movie a try at the movie theater in Nový Jičín ten years ago. Today in the same theater, but ten years later, I told myself that I had done right to go watch the movie in the end. You've been raising him like a pig for slaughter!
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A generic fantasy colouring book that benefits from the dark undertones of The Dark Knight and The Return of the King. The inspiration of those masterpieces is blatant in places and at times it seems that the viewer will finally find their own way in all that copy-pasted and uninventive darkness (where is the childlike playfulness and originality of the first and second films?), but the finale is a flabby, artless affair. I can understand that just as the Harry Potter books and films age and evolve, so do their audiences, but keeping they’ve been far from successful at quality bar at all frequencies.
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