Directed by:
Mark MolloyCinematography:
Dante SpinottiComposer:
Lorne BalfeCast:
Eddie Murphy, Taylour Paige, Joseph Gordon-Levitt, Kevin Bacon, Paul Reiser, Judge Reinhold, John Ashton, Bronson Pinchot, James Preston Rogers, Damien Diaz (more)VOD (1)
Plots(1)
Detective Axel Foley (Eddie Murphy) is back on the beat in Beverly Hills. After his daughter’s life is threatened, she (Taylour Paige) and Foley team up with a new partner (Joseph Gordon-Levitt) and old pals Billy Rosewood (Judge Reinhold) and John Taggart (John Ashton) to turn up the heat and uncover a conspiracy. (Netflix)
Reviews (6)
Big comebacks bring big expectations, and as a huge fan of Eddie Murphy's 80s and 90s era, I couldn't have been more excited. But now I'm torn. Should I give it three stars for the nostalgia it delivered, or four stars for Eddie Murphy's ability to pull off what action comedies haven't in the last decade? Despite some narrative flaws and a scarcity of action, Murphy's return as Axel Foley is a blast. His humor and joy in reprising his iconic role shine through, enveloped in that perfect 80s vibe. For a debut director, it's more than I could have hoped for. Eddie and his old crew truly stole the show, and for that, I’m sincerely grateful.
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That was really bad. It's been a long time since I've seen a movie that didn't have anything that interested me. The humour is completely off, the action is terrible (on the one hand, there's not enough of it and on the other hand, it sucks), Eddie Murphy is an actor who is long past his zenith so I found him annoying and unlikeable, I have no connection to the franchise so the nostalgia level didn't work for me, the story is weird and uninteresting, the only thing that's enjoyable are the cameos by famous actors, but that's about it. When I compare it to, for example, Bad Boys: Ride or Die, where the awesome R-rated action, the soundtrack, the actors and the humour work, this is very much a downgrade. Not for me. 3/10.
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A clichéd 80s actioner copying almost all previous episodes, so great fun. Eddie Murphy doesn't look his age, he’s still funny and the contact action is replaced by chases. A good half of the atmosphere is done by the old hit songs and the Axel F theme in many variations. The newcomers are quite good, although their behaviour is very strange and everyone will guess who the bad guy is in his first scene. Still, all in all, a fine sequel that shows that black people age more slowly. It's not fair. :D
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A great sequel to the original film, in fact the best of them all. I especially like that they chose not to adapt Foley and the plot to the present day, so there's no artificial intelligence or hackers, no drones flying around, and no one watching anyone via satellite. It's a bona fide action crime comedy that gave me pretty much everything I expected from it, and managed to involve the new characters in the plot better than, say, Bad Boys: Ride or Die.
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Really bad. The action is cheap and boring, the finale is tiresome, the humour is totally missing and the attempt to milk this 20 year old brand for all it's worth is tragic. This is not to say I had a problem surviving the film, on the contrary it was quite watchable and harmless, but in sum it's just a below average thing completely devoid of ideas.
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One of the most delightful surprises of 2024. Netflix truly impressed me. Reviving old cinematic franchises from decades ago often ends in disaster, let's be realistic about it. But fortunately, the fourth installment titled Axel F does not fall into that category. Eddie Murphy doesn’t disappoint. Even though it's been 40 years since the first film, in this new Netflix adaptation, he occasionally manages to summon that youthful, energetic charisma that made us love him as the zany cop. Yes, you can tell he’s not 20 anymore, but still, his renewed enthusiasm for the role is commendable. Add to that a soundtrack that does justice to the original, incorporating its famous musical motifs. Taggart and Rosewood also make a return. I must also mention the new acting talent from Joseph Gordon-Levitt and Kevin Bacon, which is definitely a treat. Yes, in terms of storyline, the film can’t be classified as innovative. It's a classic cliché. But that’s never been the point of Beverly Hills Cop. It relied on comedy spiced up with occasionally interesting action moments. And it succeeded brilliantly. I give it a 7/10.
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