Directed by:
Michel GondryCinematography:
John SchwartzmanComposer:
James Newton HowardCast:
Seth Rogen, Jay Chou, Cameron Diaz, Tom Wilkinson, Christoph Waltz, David Harbour, Edward James Olmos, Edward Furlong, Jamie Harris, Chad L. Coleman (more)VOD (3)
Plots(1)
Britt Reid (Seth Rogen) is the son of LA’s most prominent and respected media magnate and perfectly happy to maintain a directionless existence on the party scene – until his father (Tom Wilkinson) mysteriously dies, leaving Britt his vast media empire. Striking an unlikely friendship with one of his father’s more industrious and inventive employees, Kato (Jay Chou), they see their chance to do something meaningful for the first time in their lives: fight crime. But in order to do this, they decide to become criminals themselves – protecting the law by breaking it, Britt becomes the vigilante The Green Hornet as he and Kato hit the streets. The Green Hornet and Kato quickly start making a name for themselves, and with the help of Britt’s new secretary, Lenore Case (Cameron Diaz), they begin hunting down the man who controls LA’s gritty underworld: Benjamin Chudnofsky (Christoph Waltz). But Chudnofsky has plans of his own: to swat down The Green Hornet once and for all. (Columbia/Sony)
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Reviews (11)
The Green Hornet may not have the crazy grit and "comic-book" flair of Kick-Ass, but it has an excellent bad guy (on a par with Mark Strong in Kick-Ass in terms of quality), precise Snyder-esque visuals, and Seth Rogen, who wrote a perfectly funny script and does a great job playing the main character just as comically as well. Michel Gondry's handwriting isn't lost in what for him is such an uncharacteristic genre, so all in all this is a popcorn film on a solid level.
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Funny, quite solid action and an imaginative change of the superhero scheme. The heroes of The Green Hornet do not rely on the power of the mask and try to handle the symbolic power through a controlled newspaper - the result is extremely refreshing. Though transparent in places, The Green Hornet turns into a very exciting and epicurean spectacle thanks to a few twists and an inevitable sense of trouble behind an otherwise teenage ride. Add to that Gondry's poetic inserts, the excellent Waltz (the guy waltzes again!), a fresh heroic duo and a pleasant tribute to The Pink Panther, we soon have a candidate for this year's best blockbuster. Minuses: unnecessary 3D that looks like a children’s concertina book, and also that The Green Hornet does not have a completely balanced pace. That's why it loses half a star from me compared to last year’s Kick-ass.
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Strange, but it works. The best thing about Green Hornet is Christoph Waltz who you will just fall in love with. The action is choice, with Gondry often pulling extra treats out of the hat. In fact, I got what I expected. All right. Chudnofsky, kiss my ass. Put your lips to my ass and kiss it. French kiss it. Tickle it with your grey whiskers. I got bittersweet news for you. You're washed up. You're old. You're boring. You're not scary. You dress like shit. It's over for you, okay? That's the bitter news. Now the sweet news is: You can retire. You can go play golf, eat dinner at 3:00 in the afternoon, play with your grandkids, drink Metamucil, old people shit. Okay? Look at me. I got a name people can say. My name’s Danny Clear. I deal with crystal meth. People call me Crystal Clear. It’s easy. Check out my kick-ass hangout here. I got shit loads of glass everywhere. I got a see-through piano. Look at my boys. They're pimped out. We got Gucci, Armani, another Gucci, tailor-made. This is what you need to get to the top today. Not hard work. Not looking like Disco Santa Claus. You need charisma. You look like my Uncle Greg. Very nice guy, but, he's a dentist. Now consider this your retirement letter. Boom. It's over. See you way out.
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I have to say, I definitely expected a bit more from this movie than what I ultimately got, but in the end, it's not all that bad. It's just not that special. Christoph Waltz is absolutely excellent, and it's great that he can poke a little fun at himself. Seth Rogen doesn't really stand out in this and is rather annoying. I was quite surprised that Michel Gondry's direction is overly conventional for the genre. This resulted in a rather unremarkable piece that will likely be forgotten.
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Yup, the hillbilly rhetoric and horny teenager humor are more or less Rogen's trademark, which is certainly not a complaint by me. However, the script full of infantile humor is tamed by Gondry in the end. He put the perfect stamp of exaggeration on it and turned all that instantaneous crap into a perfect hit, which pleases especially during the action, when playfulness, original ideas, and wit are combined. No, this wasn't supposed to be the second Kick-Ass, but it definitely is the third Iron Man.
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