Directed by:
Jason ReitmanCinematography:
Eric SteelbergComposer:
Rolfe KentCast:
George Clooney, Vera Farmiga, Anna Kendrick, Jason Bateman, Amy Morton, Melanie Lynskey, J.K. Simmons, Sam Elliott, Danny McBride, Zach Galifianakis (more)VOD (4)
Plots(1)
From Jason Reitman comes the timely odyssey of Ryan Bingham (GEORGE CLOONEY), a corporate downsizer and consummate modern business traveler who, after years of staying happily airborne, suddenly finds himself ready to make a real connection. Ryan has long been contented with his unencumbered lifestyle lived out across America in airports, hotels and rental cars. He can carry all he needs in one wheel-away case; he’s a pampered, elite member of every travel loyalty program in existence; and he’s close to attaining his lifetime goal of 10 million frequent flier miles – and yet... Ryan has nothing real to hold onto. When he falls for a simpatico fellow traveler (VERA FARMIGA), Ryan’s boss (JASON BATEMAN), inspired by a young, upstart efficiency expert (ANNA KENDRICK), threatens to permanently call him in from the road. Faced with the prospect, at once terrifying and exhilarating, of being grounded, Ryan begins to contemplate what it might actually mean to have a home. (official distributor synopsis)
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Reviews (13)
It flies by like an airplane, leaving behind a condensing steam of nice phrases, textbook truths, and encouraging statements. All we need is for Clooney to raise his eyebrows and the world seems to be a kind place where even the biggest loss has its positive aspects. However, like the hero Ryan, above all Reitman's film gives the viewer a treated motivational pat – I was not offended in any way, but truth be told, I also checked out.
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I like Clooney, I like the psychological Reitman, I like Vera Farmiga in any position, and yes, I even like the quirky Anna Kendrick, so I couldn't really dislike Up in the Air. A romantic delicacy seasoned with great actors, between whom there is amazing chemistry, an interesting plot and, above all, an unobtrusive, but at the same time completely natural and purposeful humour, the kind the Americans pleasantly surprise me with from time to time. I also appreciate the lack of an annoying happy ending (i.e. a passionate kiss in the rain and other forms of cinematic romance), which was instead handled like the rest of the film – casually, humanly, and originally. Damn, I love this movie..:) 80%
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Despite my initial expectations, I was pleasantly surprised by this film. An original premise, a well-developed script, a nice soundtrack. The young Anna Kendrick was a great balance with the mature Vera Farmiga, and George Clooney, whom I don't like much, was quite good. Probably not the movie of the year, but it's nice to watch and a nice diversion.
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Up in the Air is both a bitter and somewhat cynical romance, as well as a psychological exploration of the thinking of today's American middle class, and last but not least, a drama about the collapse of the infamous American dream in the style of American Beauty. I would be cautious about classifying the film as a comedy because anyone who approaches this film as light entertainment will inevitably be disappointed. If there are comedic tones in the film, they mostly arise from the absurdity and contrasts of what is seen. The only moment when the movie theater warmly laughed was the situation where a young employee and a manager, who is a few years older with many failed relationships, describe their requirements for a partner. It is the story of a seasoned employee of a company specializing in laying off redundant employees of American companies. The protagonist is convincingly and brilliantly played by George Clooney, who can rely on similarly excellent performances from his co-stars. Vera Farmiga surprised me as his mistress. The film is certainly not flawless, as it has a slightly fluctuating pace, the musical motifs have a somewhat intrusive sentimental character, and above all, Jason Reitman lacks the courage to completely dismantle the American myth. This is especially evident in the reconciliatory ending and the testimonies of those laid off on camera, where hope emerges. Perhaps it needed about 10-15% of the audacity and uncompromisingness of Michael Moore. On the other hand, how many similarly significant sincere testimonies can we find in the film world? Overall impression: 90%. By the way, I kind of expected that ending of the romance, something similar happened to me...
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Jason Reitman showed that it's possible to film a romance that doesn't necessarily have the ending you expect, and he set the whole thing in the environment of airports. It’s about a person who spends most of their life in airplanes, airport terminals, and various hotel rooms. Yet he is happy because he has a job (even if it involves firing others) and perhaps love (even though he sees her very rarely). Or perhaps everything is just a little bit different after all. It’s beautiful, even though some people can be horrible.
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