Directed by:
Matthew VaughnCinematography:
Ben DavisCast:
Aaron Taylor-Johnson, Chloë Grace Moretz, Christopher Mintz-Plasse, Nicolas Cage, Mark Strong, Clark Duke, Evan Peters, Lyndsy Fonseca, Garrett M. Brown (more)VOD (3)
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Kick-Ass tells the story of average teenager Dave Lizewski (Aaron Johnson), who decides to take his obsession with comic books as inspiration to become a real-life superhero. As any good superhero would, he chooses a new name - Kick-Ass - assembles a suit and mask to wear, and gets to work fighting crime. There’s only one problem - Kick-Ass has absolutely no superpowers. His life is forever changed as he inspires a sub-culture of copy cats, meets up with a pair of crazed vigilantes - an eleven year old sword-wielding dynamo, Hit Girl (Chloë Moretz), and her father Big Daddy (Nicolas Cage) - and forges a friendship with another fledging superhero, Red Mist (Chris Mintz-Plasse). But thanks to the scheming of a local mob boss Frank D’Amico (Mark Strong), that new alliance will be put to the test. (official distributor synopsis)
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Reviews (14)
Kick-Ass is kickass. The story is taken more seriously than I expected and it’s really surprising how the film holds itself together considering how serious and detached it is. You could praise basically everything, in particular the soundtrack, which probably is the catchiest in many months. After watching Shutter Island in February I thought that this year there wouldn’t be many films that good, I was wrong, there’s at least one. 100% PS: Watching Kick-ass with a moralist could be a lot of fun.
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I wasn't really into the first half hour, but after that, damn, if Kick-Ass Lolitas are starting to be in vogue, hell, why not, here's a great one :-D Mindy rullezzzz! I see it's set for a sequel, and I don't think I will have any problems watching it. A film for Sunday afternoons when you don't want to shed tears but land punches :-)
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A brutally badass film with action scenes that kick the crap out of most "serious" competitors through their imaginativeness and artistic design. Yet, in a way, Kick-Ass is a serious film that may often rely on pure Tarantino brutality and pulp orgies, but at its core the film has a pure heart full of courage and civility. I could find a few things that do not seem completely kosher to me, but I refuse to spoil the joy of this pure film feast that Matthew Vaughn cooked up. Kick-Ass has balls like Jirka Lábus and, thanks to some of the scenes (strobe shootout, Big Daddy's purge, Kick-Ass's painful initiation) I rank this wild ride amongst the best comic book adaptations of all time. This is also because the creators were able to get a royal portion of comic book freedom and playfulness. Who will do better this year? OK, cunts, let’s see what you can do now!
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I didn't expect that a film of this kind could surprise me so pleasantly. Kick-Ass is a hundred-minute dose of funny scenes that may not have made me laugh, but I admired their sophistication and visual artifice. The whole film is accompanied by a hyped-up soundtrack, set aptly in the plot. And for the first time in a while I can say that I didn't find a single moment in an American comedy somehow disgusting (like American Reunion and and other similar bullshit). Finally! The cast is universally good, Mark Strong was great as the villain, and young Chloë Grace Moretz was as brutal as Uma Thurman in Kill Bill. I don't require blood in a movie, but here it spurts with such "elegance" that you don’t even think about it. Like I said, it has a bit of Kill Bill and Sin City about it, but it's better. It may not have the layers of Matthew Vaughn's previous Stardust, but I don't regret the time I spent watching it.
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Even after all these years, I still enjoy the film, and I consider it much better than most films about "actual" superheroes. There are several reasons for that - I like the work of Matthew Vaughn, I like the film’s humor, I don’t mind its violence and the cast was spot-on. Mark Strong always plays his villains excellently, Aaron Taylor-Johnson was instantly convincing in the role of a loser, and Chlöe Grace Moretz gave a perfect performance. There must be something wrong with me, but I really enjoy scenes in which a thirteen-year-old girl hacks professional killers into bits. Especially with such a great soundtrack.
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