Directed by:
Jon TurteltaubCinematography:
Bojan BazelliComposer:
Trevor RabinCast:
Nicolas Cage, Jay Baruchel, Monica Bellucci, Alfred Molina, Toby Kebbell, Ethan Peck, Teresa Palmer, Omar Benson Miller, Jake Cherry, Gregory Woo, Manish Dayal (more)VOD (5)
Plots(1)
Balthazar Blake (NICOLAS CAGE) is a master sorcerer in modern-day Manhattan trying to defend the city from his arch-nemesis, Maxim Horvath (ALFRED MOLINA). Balthazar can't do it alone, so he recruits Dave Stutler (JAY BARUCHEL), a seemingly average guy who demonstrates hidden potential, as his reluctant protégé. The sorcerer gives his unwilling accomplice a crash course in the art and science of magic, and together, these unlikely partners work to stop the forces of darkness. It'll take all the courage Dave can muster to survive his training, save the city and get the girl as he becomes THE SORCERER'S APPRENTICE. The screenplay is by Matt Lopez and Doug Miro & Carlo Bernard from a screen story by Matt Lopez and Larry Konner & Mark Rosenthal. (official distributor synopsis)
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Reviews (9)
I like Nicolas Cage. I'm not ashamed of it at all, and basically, any movie with him somehow catches my interest. Sure, this isn't a role like in Kick-Ass, but this mentoring pose suits him quite well. The film is a classic entertaining blockbuster, and I don't have much against it. It's not perfectly crafted or super original in terms of story, you just need to watch it once, but for that one viewing, it was a fun time.
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The first half is undeniably awesome! Cage has a big mane on his head after thirteen years and is cooler than ever, Baruchel is a nerdy dork and Molina's slimy villain is best of all. But then the rules are laid down, Turteltaub starts repeating everything (can they really do no more than throw plasma balls at each other!?) and the wit and perspective disappear. The finale is as breathless and boring as the bulldog. It’s a sad state of affairs when, after less than an hour, you still think you’d love to give this "Bruckheimer popcorn" four stars.
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Too much of a bet on certainty. There have been many modern action-romantic fantasies in recent years, but not every one can be made into a saga. This one definitely won't be. It's not a disaster, but almost everything has been seen better elsewhere. Nicolas Cage stands out the most in the film, as if he were born for Jon Turteltaub's films, but he will shine even more in National Treasure 3. The few modestly positive impressions are thanks to him, the "flash" version of "Secrets" by OneRepublic, and the unexpected reference to the classic Disney short.
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Back in movie theatres after a long time. I can't say I regretted the price of admission, since my parents paid it for me, i.e. I went to take my younger sister out. It reminded me of other movies (like Beauty and the Beast) at several points. As early as the very intro, where the betrayal occurs, I was already laughing; but it was so good, I got past it. Then the year 2000, where even I was enthralled by the drawing on the glass of the school bus, then just routine and blah blah. Thankfully, the boy grows up, time passes, and we have 2010, where of course what everyone expects happens. Yes, please turn your brains off and you'll be entertained, but unfortunately mine turned on a few times and I had to make a sarcastic remark here and there (my sister liked them, I don't know about the rest of you who heard me). By the end, I was praying there wouldn't be another instalment (even though the creators left a way in). Otherwise, the weird wizard was resurrected exactly as I expected; we need people like Dave in our health care system... :-D The acting was average (only Dave delivered at times, I'd say, especially when he got the same look on his face that my uncle gets when he gets drunk, I really give positive points for that, not just anyone can do that...). And the three songs are worth downloading.
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Quite fun and with a lot of expensive digital tricks to see (which ultimately improve the overall impression), but also toothless and with a clumsy main character to boot. There is so much illogicality in the story that the great number of starving African children appear to be a negligible figure in comparison. The few good ideas are drowned out by the fact that the few spells are repeated over and over again, and that it's all too complicated and yet shamefully predictable. In addition, Turteltaub isn’t able to film a battle of two wizards or an action scene in a way that looks even slightly interesting. Basically, it’s the same as The Last Airbender, but I gave that film 3 stars, because at least I laughed decently during it.
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