Directed by:
Clint EastwoodScreenplay:
Brian HelgelandCinematography:
Tom SternComposer:
Lennie NiehausCast:
Clint Eastwood, Jeff Daniels, Anjelica Huston, Wanda De Jesus, Tina Lifford, Paul Rodriguez, Dylan Walsh, Rick Hoffman, Glenn Morshower, Greg Stechman (more)VOD (1)
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An ailing ex-lawman undertakes an arduous mission to catch a killer. Based on Michael Connelly's bestseller, the film stars the cagey actor as Terry McCaleb, a retired FBI detective who is recovering from a heart transplant when he meets the beautiful Graciella Rivers, a young woman who believes McCaleb can find her sister's killer. Popping medication like candy, McCaleb takes the case, but as he slowly draws closer to uncovering the criminal's identity, he realizes there is a shocking connection to his former career. (Home Box Office)
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Reviews (4)
A very unnecessary crime film in which a seventy-year-old Clint Eastwood searches with bulldog determination for an easily predictable killer and even manages to acquire a partner many decades younger. The lack of plausibility is balanced by the unrelenting tempo, but given the genre everything is way too predictable and visually surprisingly sterile.
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As I've mentioned in many reviews, Michael Connelly is one of my favorite crime authors. However, movies and series based on his books often miss the mark, lacking the captivating storylines and logic that make his novels feel like a quality Swiss watch. I struggle to understand why screenwriters feel the need to "enhance" stories that are already so well-crafted. In this case, yes, the story was altered to fit a certain duration, but why the unnecessary additional changes? For example, I couldn’t wrap my head around why they completely changed the identity of the main villain. It just didn’t make any sense. And Terrell McCaleb? Based on Connelly's description, I imagined him differently. Clint Eastwood, whom I usually love, didn't quite fit the role. The story in this form didn’t work out well in terms of acting or directing, and I can only console myself with the thought that it could have been worse. / Lesson learned: Call an ambulance before you need to. You never know...
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Blood Work is and old-school and somewhat predictable mystery with a more or less satisfying point. The film is kept afloat by Clint Eastwood’s charisma, but it would have been a better fit for Jack Nicholson guided by Sean Penn as a director.
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The ideal three-star film, simply average, it doesn't suck or impress. The viewer spends a pleasant 110 minutes in the company of a guy with a heart transplant, Clint, who shows that he hasn't forgotten how to direct, although in this case he doesn't perform any miracles. True, the villain didn’t have to be so easily predictable, but in a one-view film, that's not a problem.
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