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Nerdy college student Columbus (Jesse Eisenberg) has survived the plague that has turned mankind into flesh-devouring zombies because he’s scared of just about everything. Gun-toting, Twinkie-loving Tallahassee (Woody Harrelson) has no fears. Together, they are about to stare down their most horrifying challenge yet: each other’s company. Emma Stone and Abigail Breslin co-star ... (Prime Video)

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Reviews (10)

3DD!3 

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English Likeable main protagonists, a ton of laughs and eye-candy slow motion splattering blood. What more could one ask for? Woody Harrelson is awesome and Jesse Eisenberg was a very pleasant surprise. The zombies here aren’t spooky, so no horror, but maybe comedy of the year. You must learn to appreciate the simple things in life. ()

Stanislaus 

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English If we’re speaking about zombie movies, then only a horror comedy like Fido. Let’s be honest, but (at least for me) the zombie horror movies of recent years have been pathetic (with a few exceptions... really few). Zombieland is a great comedy filled with lots of survival rules, a trip to a dream amusement park, a chase for a "chick" and other great scenes. A well-chosen cast featuring Woody Harrelson as a tough guy, Jesse Eisenberg as a nerd, a slightly larger than life little miss sunshine Abigail Breslin, and a fairly unknown to me but likeable Emma Stone. The film isn't long, has a cool soundtrack, you don’t get lost in it and entertains - 75%. P.S. Cool scenes: the best kill of the week by the sister (god knows) and Woody's line, "I haven’t cried like that since Titanic." and then he uses a wad of banknotes as handkerchief. ()

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Isherwood 

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English While I understand the overseas acclaim, I refuse to join in. In fact, Zombieland runs at about half throttle when it could easily push the pedal through the floor for 85 minutes. Ideas from the black humor barrel are piled on during the opening credits meaning that essentially nothing happens for an hour, and then they arrive at B. M. and then at the amusement park. Every now and then pop culture is mentioned (Facebook, actors, movies), and sometimes it switches to video game mode (the roller coaster ride is a "Painkiller" DLC), but rarely does something ball-busting pop up that would stay in my mind forever and make me want to watch this again... for that, all I need is the trailer. PS: Woody Harrelson is one of the absolute best guys of the year, no question about it. ()

POMO 

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English Because it lacks a more robust framework, Zombieland starts and ends out of nowhere. But the characters are likeable and well directed, and the movie uses some very effective slow-motion shots. This is a pleasant chill-out movie, but Snyder’s Dawn of the Dead was bolder and more brutal, which pays off in the zombie sub-genre. ()

gudaulin 

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English I avoided Zombieland at the time of its release in movie theaters, as I didn't expect any miracles and after watching it, that feeling was confirmed down to the last detail. It is good to compare this film to the British film Shaun of the Dead. After all, they are both in the same genre and thematically about the same thing. From this comparison, it's clear why American cinema so successfully crushes its competitors. It has perfectly mastered marketing and can sell even average products as exclusive matters. Although Shaun of the Dead is a much more mature and clever spectacle, both films have the same rating scores and Zombieland easily leads in terms of viewers. All in all, it is an average affair and one of the numerous cases where the functional content is contained in the trailer and a substantial part of the film is filled with mere filler. The first ten minutes are fine, setting a decent pace and outlining the rules by which the main hero operates in his desire to survive the rampage of zombies. Then the film falls into routine, occasionally interrupted by a good gag, such as the destruction of a bloodthirsty zombie with a piano or Bill Murray's role with his undignified end. The film also shows an obvious effort to sell it to a teenage audience as the target group, so besides the horror parody, it also uses elements of a teenage comedy. Fleischer's film has tremendous untapped potential, as the subject matter allowed for countless gags and comedic situations. Overall impression: 50%. ()

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