Directed by:
Neil MarshallScreenplay:
Neil MarshallCinematography:
Sam McCurdyComposer:
Ilan EshkeriCast:
Michael Fassbender, Dominic West, Ольга Куриленко, David Morrissey, Noel Clarke, JJ Feild, Axelle Carolyn, Lee Ross, Imogen Poots, Ulrich Thomsen (more)VOD (2)
Plots(1)
AD 117. The Roman Empire stretches from Egypt to Spain, and East as far as the Black Sea. But in northern Britain, the relentless onslaught of conquest has ground to a halt in face of the guerrilla tactics of an elusive enemy: the savage and terrifying tribes known as the Picts. Quintus, sole survivor of a Pictish raid on a Roman frontier fort, marches north with General Virilus’ legendary Ninth Legion, under orders to wipe the Picts from the face of the earth and destroy their leader Gorlacon. But when the legion is ambushed on unfamiliar ground, and Virilus taken captive, Quintus faces a desperate struggle to keep his small platoon alive behind enemy lines, evading remorseless Pict pursuers over harsh terrain, as the band of soldiers race to rescue their General, and to reach the safety of the Roman frontier. (Magnolia Pictures)
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Reviews (9)
Objectively, this is probably Marshall's weakest film, but in the "bloody historical carnage" category it's still a strong above-average film. It rests mainly on the director's sense of maximum blood (never mind that it splashes digitally) and charismatic actors. For an hour and a half where nothing actually happens, the film is fully immersive and makes you feel that sometimes there is real beauty in simplicity.
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If only “Bran Mak Morn" were a little like this. Raw, warrior cut and thrust. Marshall has some shortcomings and mainly he should learn how to edit, and the scene changes aren’t always completely kosher, but nevertheless paint a wonderful atmosphere full of war and blood. The cast is remarkable. Excellent, fair Michael Fassbender is balanced by the dumb savage with the devilish face of Olga Kurylenko. And I liked Dominic West, even though he wasn’t given much time to warm up. And not forgetting Eskheri’s music, which was A-grade.
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I'd like to give it four stars, I really would. For how exciting Centurion is, for how something is (almost) always going on, for how it's (almost) never boring and full of likeable characters, for how uncompromisingly it chops, stabs, cuts, slices, and God knows what else, for Marshall's ferocious direction, for Eshkeri's music, for the (to me) surprising Olga Kurylenko.... But I can't, because of the final confrontation, the witch and the more or less stupid ending. That’s too bad. Really too bad. So I give it a better three stars, knowing that I won't have a problem watching Centurion again sometime, which is definitely also a plus point.
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I’m sorry to say that this has been the most boring Marshall. If I were to judge it somehow objectively, I would go no further than seven out of ten points, but with my ugly relationship with historical films (accurate or otherwise), I can’t go over 50%. Centurion is as silly as Doomsday, but to its own misfortune, it takes itself very seriously. The action scenes are unreadable, put together with lots close-ups of chopped, flying or falling human body parts, without any overall view of the battlefield. This year’s winner in the competition of badass historical films is hands down Valhalla Rising.
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Centurion is a historical adventure-hunt movie. Congratulations to Neil Marshall for working himself up to be a director of actors such as Fassbender, West, Cunningham and Morrissey. All of them, together with the fantastic natural scenery, help make the movie fun and engaging. This film is not bloody and brutal just to shock the audience; rather, it is realistic and its violence fits into the concept of a harsh drama in which the likable main characters are hunted in the wild by the bloodthirsty Lady Vengeance hitchhiker. Her anger and cruelty are justified and therefore her character does not inspire disgust and hatred in the viewer, but fear and respect. Less realistic is the make-up and blow-dried hairstyle of the beautiful wild woman living alone by a river in which she catches a fish breakfast with her bare hands – but still we are grateful for a bit of tenderness in the gray world of hopelessness. If the ending had been more confrontational, I would have considered giving this film four stars.
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