Directed by:
James MangoldScreenplay:
Patrick O'NeillCinematography:
Phedon PapamichaelComposer:
John PowellCast:
Tom Cruise, Cameron Diaz, Peter Sarsgaard, Jordi Mollà, Viola Davis, Paul Dano, Marc Blucas, Maggie Grace, Dale Dye, Celia Weston, Gal Gadot, Brian Tarantina (more)VOD (3)
Plots(1)
An action-comedy centered on a fugitive couple (Cruise and Diaz) on a glamorous and sometimes deadly adventure where nothing and no one – even themselves – are what they seem. Amid shifting alliances and unexpected betrayals, they race across the globe, with their survival ultimately hinging on the battle of truth vs. trust. (official distributor synopsis)
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Reviews (10)
It’s all boom, bang, and zoom, and a middle-aged Barbie and a middle-aged Ken are all mwah, mwah. And all this happens quite stylishly, in 90s trappings and with the excellent idea of watching everything from June's point of view and not Roy's. It's just a shame about the great imbalance between the scenes and about Cruise. It’s not that he's not bad, but Ben Stiller would have been better for the role.
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These two are absolutely wrong for each other, plus I find her extremely unlikable (but honestly I wasn't paying attention, so I didn't look at her cute little face that much). He's also not high on my list of cute guys. But as a movie where you don't need an IQ higher than 70, it held up beautifully. I had fun, it flew by, it dispensed with the emotional garbage. I'd say the film is a decent representative in its category – I don't want to think too much, I want to be entertained and have a good meal.
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Wonderful nonsense. As if you would get onto a plane and fly back to the nineties where a car blows up when you shoot it in the gas tank, tough guys are quick with snappy lines and scantily clad blondes wink at you with dry Martinis in their hands. Tom Cruise doesn’t age, looks the same and is doing the same crazy things as he was twenty years ago. Mangold handles the directing pretty well (it has that pleasant old-school feeling that it should), but the too obviously digital effects spoil the overall effect. Sometimes I think that it’s a shame that Greengrass didn’t get his hands on this. And John Powell is a guarantee of good music. A pleasant time-out.
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Knight and Day could have been a hit in the 1990s, but today this movie feels like something of which Mr. & Mrs. Smith is a fresh remake (and not just because the main couple has sex in it). James Mangold manages the dynamics and action well and knows how to work with actors, but he is too old-fashioned for this genre.
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Even on a second viewing, this movie still felt like terrible crap, starring my least favorite actress in the lead role and, I'll admit, I'm not a big fan of Tom Cruise either. Yet, I stuck with my original rating. Why? Well, despite the script being pretty dreadful, the whole silliness of it was oddly entertaining. I switched off all unnecessary brain functions (and trust me, there were many) and just let myself enjoy the simple yet fast-paced plot. Whether I actually liked it or not, one thing's for sure — I wasn't bored. / Lesson learned: When someone tells you you're safe, start running away screaming. 3*-
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Gallery (54)
Photo © Twentieth Century-Fox Film Corporation
![Knight and Day - Photos](http://image.pmgstatic.com/cache/resized/w663/files/images/film/photos/160/485/160485326_ff8621.jpg)
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