Directed by:
Woody AllenCinematography:
Gordon WillisCast:
Woody Allen, Diane Keaton, Tony Roberts, Carol Kane, Shelley Duvall, Janet Margolin, Colleen Dewhurst, Christopher Walken, John Glover, Jeff Goldblum (more)VOD (3)
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Alvy Singer (Allen) is one of Manhattan's most brilliant comedians, but when it comes to romance, his delivery needs a little work. Introduced byhis best friend, Rob (Tony Roberts), Alvy falls in love with the ditzy but delightful nightclub singer, Annie Hall (Diane Keaton). When his own insecurities sabotage the affair, Annie is forced to leave Alvy for a new lifeand lover (Paul Simon)in Los Angeles. Knowing he may have lost Annie forever, Alvy's willing to go to any lengthseven driving L.A.'s freewaysto recapture the only thing that ever mattered'true love. (official distributor synopsis)
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Reviews (8)
Allen is truly an extremely talented filmmaker and each of his films is unique in its own way; they are smart, uninhibited, wholesome, and we don't watch them because we want to, but because we simply need to. Annie Hall is a life story told in pure Allenian fashion, or rather the insertion of his person against the background of partnership problems and their overcoming, not from the point of view of Alvy Singer, but of Allen himself. And that's why this film is so distinctive, original and delightfully humorous, as is all of his work. I hope that his other films, which have eluded me so far, will also be like this. 85%
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Woody Allen's apt, fresh, funny, soulful, sophisticated relationship film in a phase of his life, spouting one morsel of wisdom after another, and with a distance of about 50 years, with a unique social-aesthetic retro patina. Even after all this time, it's still to the point and 90 percent relevant.
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An unusual film about usual stuff, but I can’t say I’m very thrilled about it. Even ignoring my slight personal antipathy towards Allen, I feel that this film wants to appear very original and smart, but it’s just ordinary and unsilly. Sure, writing and directing a film about traditional and unoriginal stuff in a way that a lot of people will see as a treat for the intellectual elite must be quite hard work, but Annie Hall is only pretending. It’s artificially interesting and, for me, unpleasant.
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The Allen movies about relationships are all the same. There are heaps of intellectual references everywhere, sharp humor, multiple layers of emotion, your favorite actors, and your favorite topics for conversation and reflection. I often feel like these are not individual films, but episodes of "Woody and his views on women." You have to be in the right mood and have insight into your own relationships in order to be able to follow it. In addition, it features all the "funny" formal tweaks and speeches to the viewer and once again the endless pile of references to Bergman, Fellini, McLuhan, Chaplin, Groucho Marx, Freud, Visconti/Mann... Commenting on these films is more like a sport, and the one who scores the most points is the one who made a mark every time he was supposed to laugh, be moved, or say "aha, I got that too." Menstruation in conversation is also the absolute pinnacle. Every time. Always.
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A truly beautiful film, and that's no exaggeration - perhaps one of the most beautiful I've ever seen. Everything in it happens so naturally and believably, jokes balance the emotion, the direction is stunningly imaginative in many scenes... And Woody Allen together with Diane Keaton - a match made in heaven! Films like (500) Days of Summer and others that try to emulate Annie Hall look inferior and weak compared to this film. I'm a thousand percent enchanted.
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