Directed by:
Jaume Collet-SerraCinematography:
Flavio Martínez LabianoCast:
Liam Neeson, Diane Kruger, January Jones, Aidan Quinn, Bruno Ganz, Frank Langella, Sebastian Koch, Stipe Erceg, Rainer Bock, Mido Hamada, Karl Markovics (more)VOD (2)
Plots(1)
Dr. Martin Harris (Liam Neeson) awakens after a car accident in Berlin to discover that his wife (January Jones) suddenly doesn't recognize him and another man (Aidan Quinn) has assumed his identity. Ignored by disbelieving authorities and hunted by mysterious assassins, he finds himself alone, tired, and on the run. Aided by an unlikely ally (Diane Kruger), Martin plunges headlong into a deadly mystery that will force him to question his sanity, his identity, and just how far he's willing to go to uncover the truth. (StudioCanal UK)
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Reviews (10)
Liam “hard-guy" Neeson is hitting people again. Although this isn’t as effective as Taken, it is still very, very entertaining. The main problem of Unknown is the fairly strange screenplay that wanted to surprise so much that toward the end I was gritting my teeth at just how artificial it was. But I liked it. Both Diane Kruger and January Jones are nice to look at, Neeson is right at home in this type of role and Bruno Ganz got to me the moment he opened the door. Otherwise, nice car chases, easy-to-follow action and the story... erm, unusual. A decent genre movie.
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Unknown doesn't come up with groundbreaking or new. By unraveling the puzzle surrounding the main character's identity(ies), it additionally brings back into play one recent fashion wave, BUT... Jaume Collet-Serra proves once again, after the brilliant Orphan, that his first film was a necessary evil for its time in order for him to enter Hollywood, and only now can he show what all is brewing within him. I won't lament the plot, which again follows a template that has been seem many times. Serra has a way with actors that is absolutely perfect, and his baby works especially when he’s playing the paranoia card. The ending, however, offers something that has not failed to amaze me of late. That something is the current acting position of Liam Neeson, who, on the verge of sixty, has switched to the role of uncompromising action hero who hides under the guise of civilian ordinariness, only to shoot accurately and deliver a hard hits at the right moment. His ruthless charisma permeates the entire film and makes you forget that it doesn't fit the logic in places. PS: The extremely kind Arab sheik and a former Stasti member as positive characters? :)
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Many reviews here mention something about a (dumb) punchline suffering from lapses in logic. Quite on the contrary, I think that the story logically (whether or not clever, is a different matter) links and smooths out apparent over-complexity and lapses in logic with something that makes sense, but you must bear in mind that this is a genre movie not pretending to be anything more, so it would be naive to expect anything sophisticated à la Hitchcock. And it works fine, the same as the story in the last thirty minutes. When you add to this the uncompromising Neeson, the snowy atmosphere of Berlin and the great car chases, then... You simply have a quality genre movie.
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A step backwards from Orphan, though it looks very promising at the beginning. A Hitchcockican hero with the world turned against him wanders around in snowy Berlin, trying to figure out who he is. And when he does figure it out, everything goes to hell. A decent thriller, but it had a lot more potential.
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The perfect film after coming back from Berlin. While the real Berlin is a city that takes one's breath away, in this film the area around the Brandenburg Gate serves primarily as the axis of the story. The fact that it's all built on Liam Neeson's acting confidence also doesn't hurt, of course. I'll also never despise Sebastian Koch.
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