Directed by:
James MangoldCinematography:
Ross EmeryComposer:
Marco BeltramiCast:
Hugh Jackman, Tao Okamoto, Rila Fukushima, Hiroyuki Sanada, Svetlana Khodchenkova, Brian Tee, Will Yun Lee, Famke Janssen, James Fraser, Ian McKellen (more)VOD (4)
Plots(1)
In modern day Japan, Wolverine is out of his depth in an unknown world as he faces his ultimate nemesis in a life-or-death battle that will leave him forever changed. Vulnerable for the first time and pushed to his physical and emotional limits, he confronts not only lethal samurai steel but also his inner struggle against his own immortality, emerging more powerful than we have ever seen him before. (20th Century Fox UK)
(more)Videos (21)
Reviews (10)
No, it hurts, but it doesn't work this way either. Hood made Wolverine into a generic cliché hanger, whereas Mangold tries to turn him into a modern intelligent blockbuster that works with intimacy, emotions, realism and the mythology of the character. The result is terribly unbalanced - a dark and engaging prologue, followed by the middle part of the film, where romance and Logan's inner contemplation dominate. This part is slow, it emphasizes non-existent meanings and thereby only repeats what Singer was able to better develop in an incomparably smaller space. How many words, how many motives, how many enchanted quotes... and what does it all amount to? Hollow bamboo, Logan as a romantic hero for the third time. I would rather keep quiet about the finale. If I was comforting myself until then that Mangold was hiding the trump card for the end, I was wrong. It was as if someone remembered that this was supposed to be a comic blockbuster, after all, and it miserably ground all the illogicality and exaggeration into an apathetic climax that turned the would-be-adult delusion into a dismantled sonata. It is a grind. The action grinds. The humor grinds. The claws grind. Jackman doesn't grind, but he doesn't spice up this diet sushi enough to keep us from forgetting him quickly and without feeling guilty, as if he is useless. Unlike other Marvel films, the concept here is completely lacking, and both spin-offs are tonally shift away from the main series and do not create anything coherent. As a result, you will spend two hours in the movie theatre snorting during the scene after the credits, saying to yourself: "Was this necessary? Give us what we want!"
()
I am glad that another Wolverine movie has made it to the cinemas and I think that the fans feel the same. The studio must be quite satisfied. With $55 million in the first weekend in the US alone, it is a pretty good result considering the $100 million budget. Depending on how much the film earns internationally, the basic budget will be recouped during the first week. That is good and it only pleases me that good movies based on comics still attract attention. I'm not saying it's great, but it's good. "Wolverine" is a good movie, sometimes a bit pathetic and other times too chambered, but as a whole, it is good. The fans, both comic book fans and X-Men movie fans, will leave satisfied. More: http://www.comics-blog.cz/2013/07/221-wolverine-2013-70.html
()
Wolverine played by Hugh Jackman is, as always, amazing. I have already said it in my reviews of previous X-Men movies and I say it again. He was born for this role. This movie definitely looked great on paper and the result is not bad either. I don’t have any major complaints concerning The Wolverine. Still, I can't help feeling (and, reading others’ reviews, I'm probably not the only one) that this installment of the X-Men saga was essentially pointless.
()
A completely different take on the character of Wolverine than last time. At first it seems that the psychological approach might work, but appearances are deceiving. Jackman just goes to Japan for a bit of meditation, which goes a bit awry, only to have everything go back to the way it was. The action, however, is at best amateurish this time, and its intertwining with the drawn-out plot can't work without a quality villain. When it finally comes to a proper clash between Wolverine and the entire clan of ninjas (ala Neo versus the mobs of Agents Smith in Matrix: Reloaded), he takes out about two of them and then they ridiculously run on motorcycles. If I gave credit for the excellent Hugh Jackman in the previous episode, I won't do it this time after two hours of boredom.
()
It's a shame, but The Wolverine didn't do it for me. Not that this movie was outright bad, but I enjoyed it a little less than the last Origins and a lot less than the first two installments of the saga. Hugh Jackman tries really hard, he loves Logan and knows what fans want to see and hear. But unfortunately, the futile script makes it difficult for him. The plot was inspired by the excellent comic book by Chris Claremont and Frank Miller, but it basically took only the names of the characters, Japan and a few situations. It did not use the powerful yet simple story. Instead, the film is at times overwrought and at times too simple, the intimate moments between Wolverine and Mariko are probably the best, and of the action scenes I liked the one on the express train the best. The rest was pretty much short and stout in terms of imagination or Wolverine's rampage (the school ambush scene from X-Men 2, where Wolverine is at his most Wolverine-like, still leads in this regard). Apart from the opening in Nagasaki, this time there were no moments to remember, which the previous film was in fact full of. And where did the fun go? Who knows... A few good lines (about three) and nothing else. The ending was ridiculous, and clearly the best moment of the whole film came in the middle of the credits. Actually, I think Wolverine was filmed just for that scene and so Marco Beltrami could compose another good soundtrack.
()
Ads