Directed by:
Edward ZwickCinematography:
Steven FierbergComposer:
James Newton HowardCast:
Jake Gyllenhaal, Anne Hathaway, Oliver Platt, Hank Azaria, Josh Gad, Gabriel Macht, Judy Greer, Jill Clayburgh, George Segal, Kate Jennings Grant (more)VOD (4)
Plots(1)
In the 1990s, Jamie (Gyllenhaal), who works at an electronics store, is fired for sleeping with his manager's girlfriend. After his parents find out and criticize Jamie for leaving medical school, his wealthy brother Josh (Josh Gad) offers to find him a job as a medical representative. Jamie goes to work for Pfizer and tries to get doctors to prescribe Zoloft and Zithromax. He is rebuffed constantly much to the dismay of his partner Bruce (Oliver Platt), who sees Jamie as his ticket to the "big leagues" of Chicago. Bruce tells Jamie if he can get Dr. Knight (Hank Azaria) to prescribe Zoloft instead of Prozac, all the other doctors will follow his lead. Jamie uses his skills as a womanizer to gain access to Dr. Knight. (official distributor synopsis)
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Reviews (10)
I don't think I've ever seen an American mainstream film that so blatantly pokes fun at the pharmaceutical industry. I'm surprised Pfizer didn't demand some hefty compensation for this in many ways unflattering commercial. Maybe the Viagra references calmed the corporation. Anyway, I have to admit that the creators chose a great central couple. Jake Gyllenhaal and Anne Hathaway had an unbelievable sparkle and both were absolutely amazing in their roles. However, I enjoyed Jake's acting more, as he convinced me that he has a natural comedic talent that I had no idea about until now. I'd probably leave out a few nude scenes and tone down the vulgarity a bit, but otherwise I had a pretty good time. And at the very end, the overabundance of painful romance even made my vision unexpectedly blurry. (75%)
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Man, this one cracked me up :-)) The beginning was basically nothing, but once Anne Hathaway appeared on the scene, who, by the way, looked more beautiful than ever, the movie took off... in every way. I liked the dry humor underlined by really good music. Maybe next time I could do without the "lame" (and I say that very nicely) brother. The romance worked here, no question about it. The story was wonderful and perhaps a little original. A happy ending with all the trimmings and then some. I'm surprised, excited, and a little tearful. And I like it, a lot.
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I know that as a romantic movie, it doesn't have much to offer in terms of a new plot, but when I first saw the cast, I just knew that these two had to work together. Jake Gyllenhaal and beautiful Anne Hathaway complement each other perfectly and they proved it in the film. If it was just about these two getting together, then fighting and reconciling, I would still enjoy it with popcorn. The story is nothing groundbreaking, but the authors tried to add a little something new - they turned Anne into a seriously ill character who just wants to enjoy life without any responsibilities. Of course, it is clear from the beginning what will eventually happen. Jake and Anne work well together, Anne is wonderfully independent, she wants to live under any circumstances, and Jake is the one you will root for. It's not a film with great ambitions, but it's a movie that can make your evening more enjoyable. If you watch it with someone you care about and who cares about you - and I don't mean your mother, although I don't exclude that - then you will enjoy the film even more. More: http://www.filmovy-denik.cz/2012/07/kacatko-woodcock-nakaza-laska-dalsi.html
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The golden age of up-and-coming R-rated relationship dramas that artfully oscillate between light comedy and a classy dramatic plot. They're spicier, get deeper under the skin and can be very direct, even improvisational. The cards are dealt quite clearly and the outcome is basically decided, but the most interesting thing is the journey from A to Z. The chemistry between Anne Hathaway and Jake Gyllenhaal is remarkable. Edward Zwick surprised with his choice of genre and even more so with the agility and awareness of his execution.
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An inconspicuous pearl that only gains its true luster with time. Seemingly routine plot lines, slightly formulaic characters from thematically similar romantic comedies, and predictable developments transform into a perfectly complex spectacle with a conceptual and even greater emotional depth in the second half. Edward Zwick directs a romance with a capital 'R' and Anne Hathaway confirms that when it comes to the role of a girl-next-door, she has only minimal competition in contemporary Hollywood.
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