Directed by:
David FincherCinematography:
Harris SavidesComposer:
Howard ShoreCast:
Michael Douglas, Sean Penn, Deborah Kara Unger, James Rebhorn, Peter Donat, Carroll Baker, Armin Mueller-Stahl, Anna Katarina, John Aprea, Kimberly Russell (more)VOD (2)
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An aloof investment banker's life spirals into peril and paranoia after his brother gives him an odd birthday gift: the chance to play a mysterious game. (Netflix)
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Reviews (10)
The most sophisticated of David Fincher's films. I could watch it over and over again and The Game would still be fascinating to me. The paranoid atmosphere is taken to the absolute peak and poor Michael Douglas is effortlessly placed in the most absurd situations, which still give me chills to this day.
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Typical Fincher. The script is meticulously detailed, exuding escalating tension and, in this case, increasing anxiety about the fate of a protagonist playing against all odds. A grim production design, a superb Douglas and a host of brilliant directorial flourishes; The Game boasts it all, and it all works in such a perfect symbiosis that it's a joy to watch. The only big question mark for me is the ending; it’s certainly well shot, fits well into Fincher's patchwork and managed to shock me quite a bit, but I wasn't expecting such a simple explanation of such a big plot, so down a notch.
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I certainly have a long-built fondness for the great Michael Douglas films of the 80s and 90s, and Fincher's The Game is one of the highlights of that great era. Who can resist suspense thrillers in which Michael practically never leaves the screen? He's partnered with Sean Penn and Deborah Kara Unger, the subject matter is period-appropriate in many ways and it's all very enjoyable. Such an indulgence is irresistible.
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The excellently written character of Michael Douglas and an interesting topic are undeniable advantages, but the uneven pace and slightly disjointed sequence of scenes are clear shortcomings of this peculiar film. The fact is, though, that David Fincher avoids any thematic clichés and each of his films is original and different. Douglas is outstanding again, and this time he is aptly supported by Sean Penn. The plot is nicely unconventional and full of captivating scenes. The question is, how much are you willing to embrace Fincher's game.
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For me, it's David Fincher's weakest film, not so much because of the direction, where the director maintains his usual standard, but because of the overly contrived screenplay, where it's better not to think too much about many parts, otherwise the viewer will realize that it simply can't work. However, in terms of acting, it's an interestingly cast film and, above all, excellently acted - Michael Douglas and Sean Penn belong to the top tier of actors, and I have a soft spot for Deborah Kara Unger, who manages to imbue her female characters with an erotic charge. But the screenplay with plenty of seemingly effective twists really bothered me. Overall impression: 45%.
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