Directed by:
Patty JenkinsScreenplay:
Allan HeinbergCinematography:
Matthew JensenComposer:
Rupert Gregson-WilliamsCast:
Gal Gadot, Chris Pine, Connie Nielsen, Robin Wright, David Thewlis, Danny Huston, Elena Anaya, Lucy Davis, Ewen Bremner, Lilly Aspell, Saïd Taghmaoui (more)VOD (5)
Plots(1)
Before she was Wonder Woman, she was Diana, princess of the Amazons, trained to be an unconquerable warrior. Raised on a sheltered island paradise, when an American pilot crashes on their shores and tells of a massive conflict raging in the outside world, Diana leaves her home, convinced she can stop the threat. Fighting alongside man in a war to end all wars, Diana will discover her full powers...and her true destiny. (Warner Bros. US)
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Reviews (18)
In the film universe of the DC stable, which lasted for ten years, there was a flash of the best times here, because it stopped trying to cram in all genres, themes, and directions. The trailers may have promised explosive action interspersed with perfectly timed jokes, but the reality is completely different. For Wonder Woman gave rise to a charming, genuine, and authentic fairy tale right before my surprised eyes. It contains the archetypal battle of good against evil and lessons about their intertwining and necessity. It has faith in love and its power. And it also has a princess, who incredibly suits Captain Trevor and whose dialogue debut screenwriter Allan Heinberg gave his soul to. A beautiful spectacle with all the attributes of old-school adventure traditions.
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I don't know. It didn’t bother me, but if I could sleep two hours longer instead of Wonder Woman, I'd probably consider it time better spent. The opening on the island of the Amazons is a feast for the eyes, the action sequences are fine until the Snyder-like CGI-mess kicks in, where everything bangs, lights up, slows down and looks like it's from a stupid video game. And Gal Gadot nails it, she's not a very good actress, but luckily Chris Pine is always next to her and is cool and funny enough to somehow pull it off. Unfortunately, the whole thing is at least half an hour longer than it should have been, the middle section with the shenanigans in London isn't nearly as funny as the filmmakers might have liked, and the messed-up finale sadly shows that Warner still hasn’t learned from the mistakes that plagued their previous films. And I honestly don't know if I'll be in the mood for it next time.
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This suffers from similar ailments as Batman vs. Superman, but has a clear storyline and knows what it wants to say. Gal Gadot is just right for the role, although Chris Pine overshadows her somewhat. He is the anchor reminding that it can’t work without a struggle. The action is typical of Snyder, full of superfluous slow motion. Some similarity to Captain America exists, but each movie is in a different class. A certain femininity can be felt in the movie as a whole, so it’s ideal for a date night.
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It is indisputable that Gal Gadot is bad at acting but... She has a Schwarzenegger-like Conan drive, when she transforms her non-acting and striking accent into kind of strength, when Diana's naivety (not to be confused with stupidity) seems authentic and cute. Yes, the opening part on the Amazon´s island could (and should) have been shorter. And the only thing that is really good about the digital mess ending is unlike today's standards at least short, coherent and does not last dozens of minutes. Nevertheless, not at all does it fit into the rest of the movie, it is purely Snyder style and unnecessarily devalues the otherwise well-conceived villain "It wasn´t me, I am only whining". That´s for the strengths and weaknesses. The rest is basically Doner's first Superman in the Xena fan version (why Lucy Lawless doesn´t play Diana's mother?); that is, unexpectedly conservative, perfectly balancing on the edge of relaxed squabble, Shestakov time and serious tone. With a minimum of action (which is a plus, but at least the one from the battlefront is amazing), thanks to that everything is focused on the characters and the soundtrack is simply excellent. That's why it's a surprisingly nice movie among all those mainstream popcorn comics movie.
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Once upon a time, in late 1941, the first "Wonder Woman" story written by William Moulton Marston was published. A lot of time has passed since then. Personally, I love the whole Amazon Princess series and the Lynda Carter series, and I'll take my pick from the animation too. I've just been slightly nervous since the new Man of Steel about how this thing would turn out. Turns out it was excellent. Last year, Gal Gadot made her debut as Wonder Woman in Dawn of Justice and attracted a lot of attention. Today, we have a film that we’ve been waiting for for 75 years, which manages to combine a long line of views on Wonder Woman’s origin and her sidekicks, incorporate it all into the new DCU, and treat traditional readers and new ones alike to a slice of their favorite concept. It works. Although it is true that purely for the film, WW2 was traded for WW1, the one that was supposed to end all future wars. Patty Jenkins' Wonder Woman is a wonderful experience and IMAX is the perfect place to experience it.
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