Directed by:
Patty JenkinsScreenplay:
Allan HeinbergCinematography:
Matthew JensenComposer:
Rupert Gregson-WilliamsCast:
Gal Gadot, Chris Pine, Connie Nielsen, Robin Wright, David Thewlis, Danny Huston, Elena Anaya, Lucy Davis, Ewen Bremner, Lilly Aspell, Saïd Taghmaoui (more)VOD (5)
Plots(1)
Before she was Wonder Woman, she was Diana, princess of the Amazons, trained to be an unconquerable warrior. Raised on a sheltered island paradise, when an American pilot crashes on their shores and tells of a massive conflict raging in the outside world, Diana leaves her home, convinced she can stop the threat. Fighting alongside man in a war to end all wars, Diana will discover her full powers...and her true destiny. (Warner Bros. US)
(more)Videos (12)
Reviews (18)
I don't know. It didn’t bother me, but if I could sleep two hours longer instead of Wonder Woman, I'd probably consider it time better spent. The opening on the island of the Amazons is a feast for the eyes, the action sequences are fine until the Snyder-like CGI-mess kicks in, where everything bangs, lights up, slows down and looks like it's from a stupid video game. And Gal Gadot nails it, she's not a very good actress, but luckily Chris Pine is always next to her and is cool and funny enough to somehow pull it off. Unfortunately, the whole thing is at least half an hour longer than it should have been, the middle section with the shenanigans in London isn't nearly as funny as the filmmakers might have liked, and the messed-up finale sadly shows that Warner still hasn’t learned from the mistakes that plagued their previous films. And I honestly don't know if I'll be in the mood for it next time.
()
The beginning is pure comic book delight. It's wholesomely mythical, visually captivating, and the world of the Amazons is fleshed out to a tee (the scarred Robin Wright, yum!). After arriving in London, the atmosphere is logically gone, but they manage to evoke the feeling of the 1920s quite well, not only thanks to the generous budget, but also thanks to the costumes and the period banter between Chris Pine and Gal Gadot. The imaginary highlight is the gorgeously shot opening trench scene, which I think Zack Snyder took credit for because it just couldn't be shot by a woman. From then on, it goes downhill dramatically in both the tightness of the plot and the supporting storyline. Unfortunately, the finale is the traditional DC CGI mess, like in Batman vs Superman. It's a terrible shame, because Snyder, paradoxically, can shoot action wonderfully, but he can't let himself off the hook, and unfortunately film finales don't work well for him either as a director or as a producer. But that doesn't change the fact that Gal Gadot was good and Wonder Woman is a very likeable character who can be femininely fragile, funny and strong. Switch the director and screenwriter for the sequel, avoid the grand finale, and you're home. It most closely resembles the first Captain America – especially in the characterization of the main character, its retro-futuristic war atmosphere, and the setting of the story in history.
()
This is for me by far the most interesting origin story that DC Comics, and in fact all of the Marvel comics combined, have done to date. You can see that it was made by a woman, so the emphasis is not on CGI, but on the story and it works perfectly. The juxtaposition of wide-eyed Diana vs a new, uncharted world works great and brings a lot of funny situations (the whole cinema was laughing), the setting of the story in World War I is original and unorthodox in comics, and the CGI orgy at the end is easy to digest. Plus it has a strong anti-war appeal, so another thumbs up. And Gal Gadot? As of today, she’s my new heroine. Irresistible in her righteous anger, honest with her astonished surroundings, and not only charming but – how to say – emancipated in the right way, girls must love this.
()
This suffers from similar ailments as Batman vs. Superman, but has a clear storyline and knows what it wants to say. Gal Gadot is just right for the role, although Chris Pine overshadows her somewhat. He is the anchor reminding that it can’t work without a struggle. The action is typical of Snyder, full of superfluous slow motion. Some similarity to Captain America exists, but each movie is in a different class. A certain femininity can be felt in the movie as a whole, so it’s ideal for a date night.
()
I was very excited, I liked the trailers and I believed in the movie, unfortunately DC Comics didn't live up to their curse again and it ended not badly, but rather awkwardly. Gal Gadot is adorable and Chris Pine is excellent (almost always lately). The island of the Amazons with the action passage on the beach is one of the best the film had to offer and I liked the World War I setting, which is always good, especially in comic book films. That's where the upsides end. The film is 140 minutes long and features only three action scenes, albeit longer, but it's very much underwhelming and it shows in the pacing, which is quite unbalanced as a result. The humour doesn't work very well, the action doesn't make fall on your ass (maybe the opening scene), the finale is downright bad and the uninteresting villain only adds to it. Too bad it could have been better. 70%
()
Ads