Doctor Strange

So much information, so much magic – and so little time. It is clear from every scene how much Scott Derrickson (and ultimately, all of Marvel Studios) love the new addition to their universe and happily immerse themselves in all the magical gadgets, spaces, and twists. However, they could have given us more time in this gold mine because two hours can be desperately little at times. I had a great time, and Benedict Cumberbatch was born for the role of Strange, but in order to reach the highest rating (which is not far away), I will have to devour the entire adventure several more times and finally become acquainted with the source material, which I have been putting off for some time. (11/06/2016)

Strange. I mean strange and great. An excellent origin, focused on a simple, but gripping story of how an arrogant atheist drops a comb, travels to Nepal and begins to save the human race as the most powerful sorcerer in the universe. What helped him was his photographic memory. Everything of course is terribly fast, so the two or so hours are over before you know it. Maybe it’s also because the main theme is time, my favorite guide. Those keeping track know that the stone that controls time that Thanos needs in his glove had not been introduced yet, but Scott Derrickson dealt with that problem excellently. It doesn’t turn it into a MacGuffin, but simply another instrument in Dr Strange’s trembling hands. Benedict Cumberbatch put on a solid performance, slightly different than from how we are used to him and almost unexpectedly pleasant. Don’t forget that he plays a greedy, self-centered bastard. The supporting characters apart from the terrifying Tilda Swinton were not given much room. Mordo makes just a fleeting appearance, Wong is here for fun and the lack of room for another villain is made up for a little by the best side-kick in the entire Marvel universe – a smart red cloak that everyone would like to have. It’s also a cracker visually, especially thanks to Nolan’s Inception and Interstellar, whose tricks were upgraded by Derrickson to create several more universes inside the… ehm … multi-universe, à la Pink Floyd LSD trip, heavily supported by Giacchino’s music. Even Dormammu turned out right. – And who are you, sir... - Doctor. – Doctor…? - Strange. – It seems strange to me too. (10/26/2016)

The euphoric feelings of utter ecstasy from the experienced perception of space-time that I had expected from Inception came a few years later. Of course, the size of the vision and the sovereignty of the processing uncompromisingly raise the bar for the other components, but unfortunately, Doctor Strange does not overcome the curse of dull villains (although very charismatic thanks to Mads), flat side characters and generic plots. He is deeply Marvel in this and cannot bend the limits. In other respects, however, this is a deliciously playful and entertaining origin story, in which Cumberbatch finally makes full use of his potential and Scott Derrickson makes you forget the sterile crap from The Day the Earth Stood Still. In order for the Marvel multiverse to hold together, the individual heroes must occasionally put on shackles. So far, no one has suffered as much as Doctor Strange, who has the hallucinogenic explosiveness of the 1960s and the overly legible predestination of Marvel storytelling. Personally, I can rise above it and enjoy this trip beyond the barrier of reality to the fullest. Let’s be honest, a doctor who can assist in his own operation... beat that! (10/25/2016)

It cannot be denied that, in contrast to the other interchangeable marvel movies, this is distinctive in its own way (however borrowed from Batman Begins/Inception). The problem is that in the second half, all cast that is precisely chosen to match the characters on which the movie is based on until this moment, is simply thrown away. Strange from being no one becomes a super master overnight, Christine disappears as if she was from catering crew and not the main female character (and the motivation of the hero), Mordo disappears in the middle of the sentence, it's event pointless to mention the villain. Well, just for the sake of the compositionally excessive effects for the sake of effect it is losing direction in those mirror worlds in the same way a fly would get lost in a mirror maze. In other words, as much effective as it is (and it's quite effective), as little it’s effective at the same time. And in this case, it's actually quite a pity for the Marvel movie. (10/26/2016)

Well, I can't share the enthusiasm. The title, Strange, perfectly describes the whole film. I found it too overwrought and it gave me the impression that the they said, let's cram in as much as possible and see what happens. Time loop, space loop, dimensional loop, astral travelling, it's just too much for one film. The villain is traditionally bad, maybe even worse than usual, Mads Mikkelsen is absolutely unsuitable for a villain role, he's not respectable and he didn't have much space either. At least Scott Adkins was a pleasure in a small fight. Visually the film is decent and the action is not too bad, the whole thing is conceived in an original and brilliant way, which was probably the intention, but this style doesn't seem to suit me very well. The final mind fuck trip was too much for me. A stronger three stars. 70% (10/26/2016)