Directed by:
Sharon MaguireCinematography:
Andrew DunnComposer:
Craig ArmstrongCast:
Renée Zellweger, Colin Firth, Patrick Dempsey, Emma Thompson, Shirley Henderson, Sarah Solemani, Jim Broadbent, James Callis, Celia Imrie, Sally Phillips (more)VOD (4)
Plots(1)
After breaking up with Mark Darcy (Firth), Bridget Jones's (Zellweger) "happily ever after" hasn't quite gone according to plan. Fortysomething and single again, she decides to focus on her job as top news producer and surround herself with old friends and new. For once, Bridget has everything completely under control. What could possibly go wrong? Then her love life takes a turn and Bridget meets a dashing American named Jack (Dempsey), the suitor who is everything Mr. Darcy is not. In an unlikely twist she finds herself pregnant, but with one hitch...she can only be fifty percent sure of the identity of her baby's father. (Universal Pictures UK)
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Reviews (12)
At first I ignored this film, but the label of the best comedy of last year did catch my attention and I don't regret it. Even without knowing the previous episodes, I enjoyed this one and laughed a lot. It's a more mature comedy with more intelligent humor and very solid lines that I remember even an hour after the screening. Enjoyable fun and relaxing, I like this. 85%.
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The third look inside the life of this chubby goofball was definitely a disappointment. The creators, like me, apparently thought the first film was a success and figured out that all it would take was to rip it off and the third one would be just as entertaining. They couldn't have been more wrong. The two-hour runtime was downright excruciating, I was bored all the way through. The one star goes to Emma Thompson, who was the only one who actually made me laugh a few times. I understand that certain time had passed since the first installment, but watching a very worn-out cast dealing with the same problems over and over again just wasn't fun for me. It was rather sad to watch. Plus, I absolutely didn't get that awful disco soundtrack, which might have been suitable for a teen comedy. I guess a fourth installment is coming in about ten years, with hip replacement as the central theme. Yay, I’m sure it’ll be a blast!
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I wanted to be harsh and give it one less star, but why? Because it's about something completely different than the book? So? The story was just as good, though not as believable. But then again, it didn't have as much farting, which is great. In short, this episode is also a treat for lovers of British humor, and Bridget Jones fans will at least get what they expected. And maybe even more. The soundtrack is also perfect, one hit after another. Traditionally, I didn't understand Bridget in the middle of the film and cursed her for her indecision, but she still won me over in the end. Because she's just plain old Bridget. 4.5 stars.
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Fifteen years ago, I couldn’t stand Bridget Jones, but I feel that this part took the main character’s stupidity down by about fifty percent and the authors decided to direct the humor rather towards the individual scenes. And you know what? It’s been a long time since I had this good of a laugh and it’s also been a very long time since I saw a comedy that would be really funny and at the same time not vulgar at all. And if I have, it was borderline adequate. So completely OK. There was so much humor in this film that I will only probably absorb it once I watch the movie again on TV. So, I must admit that I didn’t feel like seeing this movie in the cinema, but in the end I really enjoyed it. Excellent British humor the likes of which I haven’t seen in a movie or TV show in a long time.
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“You turn disasters into victories.” Bridget Jones’s Baby is a mostly successful attempt at making a tasteful romantic comedy for adult viewers that will make you forget the dreadful second Bridget Jones film while remembering the best of Working Title’s genre productions. However, the filmmakers try too hard to fulfil high expectations, which becomes apparent in the excessive runtime (and the resulting problems with pacing), and to play it safe (e.g. impressive but not very effective slow-motion shots and the autotelic inclusion of catchy pop songs). What we see is basically the third variation of the same story template, which is very predictable from start to finish despite the addition of a new unknown feature (the unborn child). Nevertheless, the film offers some surprises at least with small things like the generally believable behaviour of all of the main characters (Bridget finally acts in accordance with her age), who are able to reflect on their idiotic conduct (Jack apologises for lying to Mark). The incomprehension of today’s world of internet dating, photos of cats resembling Hitler, hipsters and Pussy Riot may not be as striking as in Marie Poledňáková’s films, but in places it is still painfully obvious that the filmmakers are stuck in a different era and are trying in vain to catch up with the times. What works best are the universal jokes on the topic of “men vs. women”, most of which co-screenwriter Emma Thompson stole for herself (a great line involving childbirth and a burning pub), that you will remember days after the screening. But you probably won’t remember much else. 70%
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