Directed by:
Roland EmmerichScreenplay:
John OrloffCinematography:
Anna FoersterCast:
Vanessa Redgrave, Rhys Ifans, Joely Richardson, David Thewlis, Paula Schramm, Robert Emms, Edward Hogg, Rafe Spall, Jamie Campbell Bower, Xavier Samuel (more)VOD (2)
Plots(1)
Set in the political snake-pit of Elizabethan England, Anonymous speculates on an issue that has for centuries intrigued academics and brilliant minds ranging from Mark Twain and Charles Dickens to Henry James and Sigmund Freud, namely: who was the author of the plays credited to William Shakespeare? Experts have debated, books have been written, and scholars have devoted their lives to protecting or debunking theories surrounding the authorship of the most renowned works in English literature. Anonymous poses one possible answer, focusing on a time when cloak-and-dagger political intrigue, illicit romances in the Royal Court, and the schemes of greedy nobles hungry for the power of the throne were exposed in the most unlikely of places: the London stage. (official distributor synopsis)
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Reviews (7)
This could have been a noteworthy historical film and an interesting look at Shakespeare and the myths that surround him. It captures the period perfectly, the main character (played by Rhys Ifans) is great and there is absolutely nothing to criticize in technical terms. It’s hard to believe that the creator of 10,000 BC is behind this. It’s thus all the more a shame about the unfortunate jumping around in time and the lack of clarity in the characters and their relationships – i.e. the film’s only, yet fatal weakness.
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It’s a well-known fact that Roland Emmerich, apart from Independence Day, has never been very strong in scripts, so we have a mess of characters and timelines that only improves in the second half of the film. But what good is that when we are served such confusing aesthetics and incredibly clear compositions and panoramas? That's when every other viewer is willing to overlook the plot holes and confusion, or at least brush them off. Thematically, it's quite unconventional and not a completely bad attempt, surprisingly not an outright clichéd mess like 10,000 BC, but let's move on to the second installment of The Martian instead.
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Emmerich has expertly surpassed his years of infamously built shadow. Although I don't share his conspiracy theory about the authenticity of the authorship of Shakespeare's works, at least the meticulous production design and the performances (especially Rhys Ifans) deserve praise. I don’t share some of the criticisms here about the lack of clarity. The seemingly complicated flashback narrative is not that difficult to grasp at the first viewing, you only need to remember about 5 names and be a little bit alert while watching the flashback jumps (and the ubiquitous political ploys) and there’s no risk of getting lost. And I also give a thumbs up to Emmerich for his courage to come up with such an inflammatory material in today's cinemas, where the deployment of commercial films is more like a controlled production process. I'm surprised at myself, but giving Emmerich a chance this time was worth it.
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Who is actually behind all the plays that are attributed to William Shakespeare? Was he a real person, or just a fictional character who took on the guise of a playwright, while the plays were actually written by someone else, someone who had to remain in the background due to their status? Nobles could not be artists, so they could only write secretly. Is William Shakespeare some nobleman who was hiding? Is it a group of people pretending to be one person? Or is the truth completely different? I must admit, I don't care. I don't want to know if William Shakespeare really existed and wrote all the plays himself, or if it was something else entirely. The plays are so brilliant that it doesn't make sense to delve into that. We are so determined to uncover the truth and debunk the myth. But don't some myths deserve to be left untouched? In my opinion, this is one of them. People should live for his works. Roland Emmerich decided to make a film where he wouldn't destroy New York, but instead he would depict one of the possible versions of how it all happened on screen. In addition, he adds a rather intricate political story that is not so significantly related to Shakespeare himself. But fine, the film had to be a bit more lively and action-packed. Surprisingly, the best parts are the sequences where pieces from Shakespeare's works are performed. So Emmerich didn't make a bad film, it's good in terms of costumes, the set design is great, but it's all too long and... well, just uninteresting. Everything is too neatly aligned and there is no room for speculation. I understand that it's about presenting one version, but it could have been made more suspenseful, more interesting, with a point at the end. But no. Instead, Emmerich attacks the emotions in the end, as is his custom. An average spectacle with beautiful set design. More: http://www.filmovy-denik.cz/2012/07/happy-feet-2-bobr-cislo-4-musketyri.html
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It's not so much that the film is completely out of it in many ways (nothing against anti-Stratfordians, but I just trust Stephen Greenblatt more), but rather that it's out of it in a terribly boring and unimaginative way. It's so conventionally Hollywood that it's not subversive at all, and it brings nothing more than recycling what has been seen a hundred times. Yes, William Shakespeare did it too... but much better. Thankfully the screenwriter figured it out at the end and explained to us why his creation is not worth seeing. Yes, and in terms of design and material facts, Rolko made a much nicer film than Paul W.S. Anderson, in case anyone's wondering. But otherwise, there are too few aliens and too many complex emotions.
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