Directed by:
Ben AffleckCinematography:
Robert ElswitCast:
Ben Affleck, Rebecca Hall, Jon Hamm, Jeremy Renner, Blake Lively, Slaine, Owen Burke, Titus Welliver, Pete Postlethwaite, Chris Cooper, Gary Galone, Peter Looney (more)VOD (3)
Plots(1)
Doug MacRay (Ben Affleck) is an unrepentant criminal, the de facto leader of a group of ruthless bank robbers who pride themselves in stealing what they want and getting out clean. With no real attachments, Doug never has to fear losing anyone close to him. But that all changed on the gang’s latest job, when they briefly took a hostage bank manager, Claire Keesey (Rebecca Hall). Though they let her go unharmed, Claire is nervously aware that the robbers know her name and where she lives. But she lets her guard down when she meets an unassuming and rather charming man named Doug not realizing that he is the same man who only days earlier had terrorized her. The instant attraction between them gradually turns into a passionate romance that threatens to take them both down a dangerous, and potentially deadly, path. (Warner Bros. US)
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Reviews (10)
The similarity of the plot with Heat bothered me. Otherwise, The Town is a film that needs to mature a bit, just like its more famous predecessors. Heist crime is a genre that cannot be devoured like candy and watched every Saturday throughout the first year, everything needs to be “felt” somehow. And the bluish camera filters, the behaviour of the main characters, the sense of their actions, as well as the weapons, the “mafia sector”, and other things around – they are directly tied to the time when the film was made, and only with the passage of time and the addition of a bit of sentiment and perspective can one truly enjoy it. Right now, The Town is somewhat similar to a young wine, immature somehow. It is a classic story, but Ben Affleck has heart and it shows in every other shot. As a film, The Town is well executed, the action is gripping, and the catharsis is not lacking either. And do people know, or foresee, how it will all end? Can we have a variation in such a laid-out film that we haven't seen somewhere else already? Right now, I think we have exhausted almost everything. Don’t expect something original, better focus on other qualities in the given genre, and this film undoubtedly has them.
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A melancholic and technically flawless crime drama. The script is not as smart as the script of the masterpiece of the genre, Heat (but I’d rather not compare The Town with it, they are completely different), but it’s still much better than this year’s competition, which is nice. I didn’t like Ben Affleck in the main role so much (I think Jeremy Renner was more charismatic), but he did a great job as director (for instance, I haven’t seen a better car chase this year). In general, I have a problem rooting for the evil characters in films like this, and it was similar in this case. Emotionally, only the last few minutes touched me. It was nice to watch, but it didn’t surprise me at all. In short, a nice, satisfactory thriller, but nothing to write home about. Weak four stars.
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It is more than obvious that this is Affleck looking up in awe at Mann’s Heat. And it is already clear that he definitely has the talent to film a similar, timeless masterpiece. The Town is not yet that masterpiece, not even in the extended version (I haven’t seen the regular one, but I certainly wouldn’t cut even a minute off the longer one). For that this is too much of a Heat beta version 0.5, but... But this is the only negative I can think of.
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The inspiration from Heat is quite evident, but I wouldn't say this film copies it blindly and attempts to sponge off it, but rather that Ben Affleck is a fan of Mann and his famous film, so he wanted to pay tribute to his role model with his film The Town. Unlike Heat, which was based on the confrontation of two tough men, masters in their field, Affleck focuses more on the romantic relationship between the criminal and his female victim, which gradually turns into love. It can even be said that The Town sometimes inappropriately romanticizes the underworld and relationships between criminals based on friendship and solidarity. Reality is much more down-to-earth, yet in terms of the story, action, and acting performances, I am satisfied and have no problem giving it 4 stars. It's not a film that revolutionizes its genre, but true professionalism emanates from it, and for a genre fan, it's a safe bet. Overall impression: 80%.
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We’ve seen this scheme many times before, and sometimes better (at one point even the main character watches "the" bit on TV), but I like Affleck's sympathetic direction, which doesn't rush the archetypal characters through the plot, but without unnecessary subterfuge, matter-of-factly, and engagingly. The fact that at times it is too tightly gripped in the clenches of tired templates is unfortunate, especially in the moments when the more adept viewer can guess the next steps of the characters before they do. Regardless, that certain old-fashioned style only serves it well. I’m looking forward to Affleck's next film immensely.
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