Directed by:
Peter BergCinematography:
Tobias A. SchliesslerComposer:
Steve JablonskyCast:
Alexander Skarsgård, Taylor Kitsch, Liam Neeson, Brooklyn Decker, Rihanna, 浅野忠信, Hamish Linklater, Peter MacNicol, Jesse Plemons, David Jensen, Gary Grubbs (more)VOD (2)
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The classic Battleship board game moves to the screen in this at-sea adventure about defending planet Earth from a mysterious enemy fleet. (Netflix)
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Reviews (13)
Jurassic transformers. Battleship is a blockbuster with a huge budget and all the obvious flaws (clichés and idiocy) as well as the necessary pop elements: megalomaniacal action, self-irony, a young hero wooing the daughter of a captain, G.I. Rihanna, a legless black hero and retired sailors saving the world. If it had come out sometime before 2007, it would have been a hit. Today, however, these waters are ruled by Michael Bay, whose visual concept is something else – from action through sunsets to female curves. Peter Berg is visually static and unoriginal. Furthermore, Battleship isn’t helped much by the existence of equally spectacular but intelligent blockbusters like X-Men: First Class.
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Nothing new, nothing original, only a demolition and popcorn classic in the best sense of the word. Battleship has everything a modern action movie should have, and a little bit extra thanks to the presence of pop queen Rihanna, who looks just as good in a military uniform as she does in a tight outfit. Just turn off your brain and the fun will be taken care of... 70%
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An average and unremarkable American popcorn action film, based on stunning visual effects and a flat script, it doesn't offend, but it doesn't amaze either. Taylor Kitsch unfortunately doesn't handle the lead role well at all, failing to be expressive in any way (like in John Carter), but thankfully this is smoothed over by the acting of Liam Neeson and Alexander Skarsgård. In short, a film that really only stands out because of how mediocre and formulaic it ultimately is.
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It would be good to say upfront that Peter Berg was to a considerable degree inspired by the master of the genre, Michael Bay, at least when it comes to visual aesthetics and style. As some have rightly pointed out, Michael works much better with the sunsets. But let's go in order. The acting is average, sometimes even dumb. Neither the funny scenes nor the moments of returning to life (the marine without legs) work, the funny lines are nothing special, and the only truly engaging dialogues are led by Liam Neeson and Taylor Kitsch in those few minutes (Kitsch, who suddenly appears out of nowhere in two big projects, is quite unremarkable as an actor). Brooklyn Decker looks really nice, but not really in her acting. The script is boring. It’s hard to come up with something, but the simple mythology and visual portrayal of the invaders irritated me and test the audience's intelligence quite assertively. Just like some “over the top” scenes with the USS Missouri that made me want to laugh. At least the constant eye candy action is enjoyable. As soon as something starts happening, it ends with the final credits. A few beautiful scenes of destruction of ships and planes, effective camera raids, and a nearly identical shipwreck staged above Hong Kong as the asteroid fall over New York years ago in Armageddon. Visual effects with a gap of about 15 years? (something to think about). Yes, sunny shots, very clear, technically almost flawless except for a few details. However, it is tremendously stupid. There is not enough romance, not enough catharsis or emotional lines. Bay is a charmer who knows how to mix everything together beautifully, Berg only knows action.
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A dumb, but extremely entertaining movie where old technology is bulldozed by new and the “Art of War" gains a completely new dimension. Berg signed up to film this absolute shitstain of a screenplay with a few millions paperclipped to it, when the only potential lies in the name of this age-old game, these days played only by snobs who have grown bored of playing tic-tac-toe during lessons at school. But who wouldn’t like to play soldiers for the studio’s money. The directing maybe isn’t as opulent as Bay’s, but it’s easier to follow and the overall tempo of the movie isn’t so breakneck. The story: After a superb start, John Carter gets his hair cut and joins the navy due to a beautiful blonde, to become a better person, to serve on a battleship. Then some aliens from the plant G. arrive on Earth. He fights them. The number of casualties is abundant. Kitsch handled his role well, Brooklyn Decker is here just to liven things up a little. Daddy-o Liam Neeson is cool, but makes too darn few appearances. But if you were pleased that Rhianna had died, then... erm. And those poor aliens - these guys were the kindest villains I have ever encountered. Maybe we could have become friends, if the Navy hadn’t started shooting first. But we will probably never know, even though the post-credits scene from Scotland promises a part two. When the old men got in, I nearly laughed out loud. I can’t believe this wasn’t a parody. And Jablonsky and his AC/DC! - And who’s in charge of the ship now? - Hopper. - Hopper? We’re all going to die!
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