Directed by:
Tommy WirkolaScreenplay:
Tommy WirkolaCinematography:
Michael BonvillainComposer:
Atli ÖrvarssonCast:
Jeremy Renner, Gemma Arterton, Famke Janssen, Pihla Viitala, Derek Mears, Ingrid Bolsø Berdal, Joanna Kulig, Thomas Mann, Peter Stormare, Bjørn Sundquist (more)VOD (4)
Plots(1)
15 years after their traumatic gingerbread-house incident, siblings Hansel and Gretel have become a formidable team of bounty hunters who track and kill witches all over the world. (official distributor synopsis)
Videos (32)
Reviews (10)
Reminded me more of The Exorcist than Hansel and Gretel... I recommend showing it to your kids at bedtime if you have a morbid desire to change their diapers even at puberty. Otherwise, it’s an ordinary action movie that tried to have funny lines but didn't really succeed. It's a weird mishmash of all sorts of things, but it's watchable.
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I already knew that Tommy Wirkola was a desperate director, and I understood from the trailer that this film is as dumb as a brick, so it's not a surprise. Fortunately, the film doesn't take itself seriously, but practically anything can be hidden under exaggeration. I forgive the film for being stupid, but I can't overlook that it's sometimes tasteless. Hansel & Gretel deserve one star from me for the cast and the animated subtitles. It's the same as The Brothers Grimm, but that film represents a completely different level of filmmaking. It's quite embarrassing that it has significantly lower ratings than this pop culture mishmash. Well, that's the price we pay for the average age of the site's users. Overall impression: 15%.
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It's likeable bollocks that moves at a giant pace, doesn't take itself seriously and indulges the male audience with an attraction named Gemma Arterton, but on the other hand it doesn't have a shred of atmosphere and fails to evoke the slightest concern for the characters. The formal execution itself is interesting (especially in relation to the nature of the story of Hansel and Gretel), but it's not so good when it comes to the details and action scenes. One time and that’s enough.
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Not convincing Gemma Arterton to show her tits is utterly petty of Wirkola and foreshadows other ills. Thought the direction, like Dead Snow, is total anarchy (meant as a positive) that doesn't particularly worry about time, space, sequence, or characters, Hansel and Gretel often fails in its guilty pleasure potential. That is to say, the main sibling duo don't sleep together, though it seems headed that way several times, no children die, and the violence doesn't cross a certain threshold. On the other hand, the unbelievably long and retarded monologues of the main witch, who still has all of her members even two minutes after she opens her mouth, which is grossly inconsistent with the characters' approach to anything else, are outrageous. The action scenes are somewhat reminiscent of a video game in their conception (the witch running away from Renner and throwing various adversities in his path that he must overcome; the girl at the stationary machine gun trying to mow down all the witches in front of her, who come flying in from different directions) which I have no problem with, but overall I'm sorry that a scene like the one with the Gingerbread Man in The Brothers Grimm was more WTF than this entire movie.
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The fairytale of the Brothers Grimm is quite different, in both the good and the bad sense of the word. Hansel and Gretel is a very brisk film with a likable cast, mixing wit, action and romance, and it's watchable in the end, but it doesn't dazzle, nor does it leave anything deeper (which is to be expected, but still). Örvarsson's music reminded me terribly of Sherlock (Zimmer as executive music producer) right at the beginning, which maybe bothered me a bit, but then it fizzled out. The plot wasn't bad, but I'm sure the overall theme could have been fleshed out more. That said, the primary purpose of the film was (probably) to serve up a crazy action-packed take on a fairy tale classic that was meant to entertain, which it did. In short, an average Hollywood film that stands out from the rest perhaps only in its approach and relationship to the source materia
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