Directed by:
James WanCinematography:
Don BurgessComposer:
Rupert Gregson-WilliamsCast:
Jason Momoa, Amber Heard, Patrick Wilson, Nicole Kidman, Willem Dafoe, Dolph Lundgren, Yahya Abdul-Mateen II, Temuera Morrison, Ludi Lin, Michael Beach (more)VOD (5)
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The film reveals the origin story of half-human, half-Atlantean Arthur Curry and takes him on the journey of his lifetime - one that will not only force him to face who he really is, but to discover if he is worthy of who he was born to be…a king. (Warner Bros. UK)
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Reviews (17)
A dull coloring book from DC that more than anything resembles the sterile world of Marvel with a host of good-hearted heroes and bad guys who oddly enough want to destroy or dominate the world. Plus points for the fact that this time it takes place underwater, thumbs up for the sound engineers and effects guys, who really went all out on the underwater cities, and Jason Momoa is cool and knows how to rock, something we've known for a while now. The story, though, it’s about nothing.
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Aquaman can't be denied one thing, it is truly monumental. James Wan sends countless creatures, monsters and strange beings to the screen, or at least actors in really crazy costumes. Is it overstuffed? Yes, but on the other hand, the magnificence is really impressive and on top of that, every single underwater creature was really elaborate. Something this gigantic and epic hasn't been done since Avatar. And when it starts moving or fighting, it looks great on screen. Unfortunately though, Aquaman has two quite possibly the worst Hollywood actors in the lead role and that's where it grinds. Wan does manage to restrain Jason Momoa and Amber Heard, giving them minimal room to act and mostly just doing what they're good at (looking good), but as soon as the film attempts romance, humour, or pathos, it doesn't work due to their ineptitude. Fortunately, it's not that often. In fact, I was also initially bothered by the rather chaotic narrative structure, where they jump from the present to the past so that the origin story can somehow be caught up quickly and what would otherwise be worthy of a standalone film is crammed into two scenes. And unfortunately, the level of stupidity also occasionally crosses the line. Still, I'll happily sign off that this is the best DC Comic film and if I were twelve, I'd want to sign up for a diving club. On the other hand, I'd rather watch four out of five Marvel movies than this one, because there's still the problem that previous Warner comic-book adaptations have struggled with: it takes itself too seriously for the crap it is. And yet, right here, during the scenes where Amber Heard is floating on a killer whale and shooting water lasers out of her hands, it really needed that bit of levity.
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I am incompatible with the new DC films; in fact, I am specifically allergic to their tone. Momoa is a nice guy, but as soon as Wan steps on the pedal and the camera pulls him in to the sound of guitars, I lose the last bit of interest in the character. And I have even less interest in the modest underwater people. This universe is not for me.
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The essence of adventure, which I haven't seen in a long time and which I still go to the cinema to find, written specifically for the rugged couch potato with the most likable dose of pure testosterone in his pocket. In the excitement of amazing special effects, unstoppable pacing, and spot-on casting, I easily forget how much the journey and combination of comic book themes resemble its neighbors from Marvel, specifically Thor and Black Panther. But for once, such imitation works perfectly, maybe because it easily shows its own face and with every major attraction (a battle between brothers, Sicily, the Depths), it shows how much heart and enthusiasm the creators, led by James Wan, put into it. Therefore, I wish the best of luck to those perpetual complainers, who were the loudest in complaining that DC comic adaptations are being taken too seriously, so they can now object intensely about carefree coloring books. However, after Wonder Woman, I myself can definitively say that infinitely interconnected worlds and teams are outdated in this universe, and innovative solo performances, mining their thankless world to the last drop, are on the right path.
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An overwrought digital coloring book, and I almost want to write "literally" coloring book – looking at the CGI smoothed out faces almost made me throw up. This just shows the hypocrisy of some film critics who accused The Hobbit of CGI overkill (and ignored the fact that in many cases it was also handmade sets), and with Aquaman, which in terms of digital mess is two or three levels above, they are quiet in this respect. I didn’t feel it was alive, not even once. Not even a comic book feel, because even the worst DC comics have more life and multi-dimensional characters than Wan's boring one-dimensional archetypes. Boring, sterile like Znojmo’s pickles.
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