Directed by:
Steven SoderberghScreenplay:
Lem DobbsCinematography:
Steven SoderberghComposer:
David HolmesCast:
Gina Carano, Michael Douglas, Michael Fassbender, Ewan McGregor, Channing Tatum, Bill Paxton, Antonio Banderas, Michael Angarano, Mathieu Kassovitz (more)Plots(1)
Mallory Kane (Gina Carano) is a highly trained operative working for a government security contractor in the dirtiest, most dangerous corners of the world. After successfully freeing a Chinese journalist held hostage in Barcelona, she discovers the man has been murdered - and all the evidence points to her as the main suspect. Suddenly the target of skilled assassins who know her every trick, Mallory realizes someone deep inside has betrayed her. But who? And why? Far from home and on the run, Mallory executes a series of daring maneuvers to throw the local SWAT team off her trail, only to find herself pursued by far deadlier forces. Crossing multiple international borders, she eludes a powerful web of law enforcement and private operatives until she finds herself left with few options. Increasingly desperate to clear her name and reveal the real traitor, Mallory uses her black-ops military training to devise an ingenious - and dangerous - trap. But when things go haywire, Mallory realizes she’ll be killed in the blink of an eye unless she finds a way to turn the tables on her ruthless adversary. (official distributor synopsis)
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Reviews (10)
Everything but cliché. An excellent film that you need to learn to like. Gina Carano is an incredible fighter and the action scenes are amazing, in my opinion better than in the Bourne trilogy; they are dense, believable, physical. You can feel MMA with every second. Packed with stars, but only on the surface. Soderbergh plays incredibly well with the given genre and essentially shows everyone the middle finger. Many people won't appreciate this film, but a few will really like it.
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Of all the action movies in which the female lead character kicks the ass of all the men present that I've had the pleasure to see so far in my life, the thriller Haywire enthralled me the least, therefore, barely at all. I watched it more or less for the decent-sounding cast, but I didn't give a damn about the plot from just a few minutes in. (40%)
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The whole thing is nothing-like, empty. The action scenes are top-rate (the chase through the forest!), in terms of acting - nothing to criticize, but the fillers between one piece of action to the next bored me to death. I’m sorry, but actors just reeling off their lines without a thought just isn’t enough for me. Haywire is ingeniously directed, just the frequently inappropriate music bothered me.
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Steven Soderbergh is a director who is able to attract stars of the silver screen for his films. The same goes for the film "Haywire". Michael Fassbender, Michael Douglas, Ewan McGregor, Antonio Banderas, and even Channing Tatum are actors who have already made a name for themselves, some of which will never be forgotten. None of them have enough space in the movie because the attention is focused on the main character, Gina Carano, a fitness instructor and martial arts specialist. It is evident in the action scenes, they are tough, animalistic, and perfectly executed. And not only thanks to Gina, but also thanks to the other actors. The trailer, where Gina confronts Michael Fassbender, clearly shows that the action aspect is excellently developed, the choreography simply works. But that's all there is to it. Soderbergh presents us with a story that is incredibly small and simple. From a person who made all the "Ocean's" movies and also the excellent film "Contagion" from the same year as "Haywire", I would simply expect more. The random connection with the young man Scott, to whom the main character actually tells everything, is, in my opinion, unnecessary and does not have any proper justification. In the end, it is just an ordinary film about how a tough agent wants to find out what happened, why she was betrayed, and then, of course, seeks revenge. There is no big action finale either. Soderbergh took it as a break and critics will give it good ratings just because it's Soderbergh. This is just bad. More: http://www.filmovy-denik.cz/2012/07/runaways-rok-jedna-nedotknutelni-johnny.html
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Haywire wants to be a stylish thriller with a cool heroine, physical action and a clever plot. Instead, it’s just stylish inanity that takes itself too seriously, is too unnecessarily complicated to be a proper chill-out movie and the main character is a violent cold-blooded lesbian about whose fate you don’t really care. A strange pulp hybrid.
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