Directed by:
John MooreScreenplay:
Skip WoodsCinematography:
Jonathan SelaComposer:
Marco BeltramiCast:
Bruce Willis, Jai Courtney, Sebastian Koch, Mary Elizabeth Winstead, Yuliya Snigir, Radivoje Bukvic, Cole Hauser, Amaury Nolasco, Sergey Kolesnikov (more)VOD (4)
Plots(1)
John McClane goes to Moscow to see if he can convince the local police to go easy on his son, who did something stupid while on holiday. Upon arrival, McClane discovers that things are not what they seem and he and his son are forced to break up a terrorist plot that imperils the planet. (official distributor synopsis)
Videos (16)
Reviews (10)
McClane gives up everything that is so great about him so he can go save his son's ass. That is, he gives up everything so he can spend his vacation trying to get his son to quit selling drugs... And what a great vacation, because of course daddy and son kiss and make up, share a laugh, get a little moist, get a little radioactive. Just a great vacation in the former Soviet Union that can make you go blind.
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This time he brought you a Mercedes... The only thing that didn’t drop in quality was Beltrami’s music. Otherwise, this is like falling painfully on your face. For me, this isn’t another episode of that excellent series that I grew up on. I’m not treating it as one of them, so that I can be at least a little objective. I don’t like Moore, he already ruined Max Payne and he isn’t much good at making movies. Here at least he tries to push the action to the forefront (I have to admit that there really is a lot of it) because any switch to “father and son talking" equals catastrophe. I would be surprised if Skip Woods’ screenplay was any more than five pages long, it’s completely off any qualitative scale. It has some sort of story, but too few snappy lines and hogwash about the holidays soon gets boring. Bruce doesn’t give a damn about anything and he seemed to me to be overacting. And what else can he do, it’s a parody on Die Hard after all! I’m not going to have a dig at the illogicality of individual scenes, but several times I had a really surprised look on my face. Especially on the trip to Chernobyl. That reminds me of the days when I used to watch Seagal movies with my dad (e.g. Under Siege 2) and he always went on about what a pile of baloney it was, that it didn’t make any sense. Who on earth thought up such a load of tripe? Well, now I’m following in my dad’s footsteps. Wanna cuddle?
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A crazy day to die hard. When writing this script, Skip Woods occasionally forgot that he was writing another installment of an established series and often broke its established rules – unfortunately, including the traditional showdown with the villain. However, even so, I mostly enjoyed it in spite of myself. Because right from his first glance, Bruce Willis proves that he has missed his iconic role and relishes every shot or argument with the senator. Besides, John Moore, no matter how many flaws he has, simply knows how to handle action; he just needed a little push. I understand that McClane's adventure shouldn't focus on family values, but currently, the universal reactionism really disappoints me. That's why I will add an almost invisible plus to the solid 70 percent. But I want the sixth installment to be more personal in a completely different way.
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McClane's back, say and write what you want. It's still him. Yes, the reconciliation between father and son is hellish and we've seen it many times and better (Indiana Jones IV), but is that what A Good Day to Die Hard is all about? Don't be discouraged by the generally low rating and go see for yourself. What I saw was a pretty honest action movie that I perhaps enjoyed more than the second Expendables (but less than The Last Stand). Imaginative action scenes (the car chase, the helicopter ending, which is better than the fighter jet ending from the last film and is a typical McClane yippee-ki-yay improvisational moment), Beltrami's music, the visual effects, the jokes, of which there were more than I would have expected ("Need a hug"), the charismatic Sebastian Koch, references to the first film in the series (Beethoven, the villain's slow motion fall)... No problems at all. However, Jai Courtney really got on my nerves, and it seems that somebody also hurt the film badly in the editing room, as many scenes from the trailer didn't make it in (especially the taxi dialogue with the cop/lawyer makes me sad). I wish there was a longer version on DVD. Three and a half red stars.__P.S. The longer version was only released on BD, so I'll probably never see it.
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Merciless crap. It starts slowly and smells like a cheap production from Bulgaria. It is beautifully apparent how most of the budget went into action scenes (I must add that everything had to be completely blown to smithereens, of course), but their clarity is incredibly bad. I felt sorry for it and wondered where the director's talent from the Behind Enemy Lines era went – I didn't even breathe during the jet shooting scene, and that scene is already an immortal legend. Unfortunately, it is not just about the chaotic and bad action, the humor doesn't work either. There are only two or three interesting gags, and that's it. The R rating is basically pointless. I liked the cccasional self-parody (whether it’s intentional is another question) and the escapades like the Maybach in Chernobyl, but the casting is awful, and so is the script. Basically, it's a patchwork with 3 or 4 big action set-pieces, of which only one is truly memorable – no filters, work with lighting, low-angle shots like Michael Bay. A big disappointment. The fourth installment is indeed "the most decent" by far, but it's packed and no expense was spared on it. Here, the only evident thing is the attack on viewers' wallets to squeeze the last bit of money from the legend.
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